August 19, 2009

CMJ09 FILM FESTIVAL, OCT. 20-24 - WANTS YOUR FILM...

Submission Deadline - August 31 (late deadline September 11)

Official submission guidelines and more information can be found at WithoutABox.com

As part of New York's legendary CMJ Music Marathon, one of the world's largest and longest running new music festivals, the 15th Annual CMJ Film Festival promises to be our most ambitious thus far. Having gained a reputation over the past 14 years for providing CMJ and New York audiences with the very best in breakthrough independent cinema, the festival also features advance screenings and premieres of high profile, cutting-edge films -- such as the box office smashes Pulp Fiction, Boogie Nights, Fight Club, Walk The Line, and Borat, and 2008’s Zack and Miri Make a Porno. We have a rich tradition of bringing artists and filmmakers into direct contact with CMJ's enthusiastic crowds. Past festivals featured face-to-face sessions with leading filmmakers such as David Cronenberg, Quentin Tarantino, Michael Moore, Harmony Korine, Wim Wenders, Trey Parker and Matt Stone, and Kevin Smith.

Selected films are eligible for the CMJ09 Film Festival Audience Award in each of four categories: Narrative Feature Film, Documentary Feature Film, Narrative Short Film, and Documentary Short Film. Also be sure and check out CMJ's first ever Film Festival Trailer Competition.

The CMJ Music Marathon & Film Festival will take place from October 20 - 24, and will be headquartered in Manhattan’s Greenwich Village, with screening venues throughout New York City. With last year's event bringing in over 120,000 participants, we expect this year's audience draws to be our largest to date!

You can get more information about the CMJ09 Music Marathon and Film Festival, October 20-24 at: www.cmj.com/marathon.

August 18, 2009

hotINK 2010

Deadline: September 1, 2009

hotINK is an annual festival of plays, presented at the Tisch School of the Arts by the Department of Drama which has featured the work of writers from 17 countries. hotINK brings together playwrights from around the world with distinguished actors and directors from the New York theatre, as well as students, alumni and faculty from the Tisch School of the Arts. All scripts must be submitted in English.


FOR SUBMISSION GUIDELINES: www.hotink.org

New Dramatists

Deadline: September 15, 2009

New Dramatists accepts writers for free seven-year residencies, during which they’re given access to the full range of services, including writer-driven new play development workshops, international theatre exchanges, free copying, free theatre tickets, writing space, retreats, temporary lodging, and numerous opportunities and community activities.

FOR APPLICATION GUIDELINES: www.newdramatists.org

August 14, 2009

grants

Applications Invited for Arts Presenters/MetLife Arts Access Award


Awards of up to $10,000 will be given to organizations working to increase access to the performing arts and other cultural experiences for the disabled or underserved communities....

Posted on August 12, 2009
Deadline: September 15, 2009

Getty Conservation Institute Offers Conservation Guest Scholar Program

Stipends up to $31,500 will be awarded to conservators, scientists, and professionals working on projects related to visual arts in residence at the Getty Center....

Posted on August 12, 2009
Deadline: November 1, 2009

French-American Jazz Exchange Offers Support for Collaborative Projects

Grants of up to $10,000 will be awarded to French and American jazz artists collaborating on composition, touring, recording, and audience-development activities with a public performance component....

Posted on August 12, 2009
Deadline: October 23, 2009

Bush Artist Fellowship Program Invites Applications From Artists in Minnesota, North Dakota, and South Dakota

Fifteen artists will receive grants of $48,000 each as well as $2,000 to develop a communications strategy to further their work and foster community dialogue....

Posted on August 12, 2009
Deadline: Various

August 13, 2009

Southern Rep Calls for Play Submissions

New 10-Minutes Plays to be Highlighted in Southern Reps 2009/10 Season

New Orleans Southern Rep calls on Southern writers to submit bold new ten minute plays for the SOUTHERN REP NEW PLAY RIOT by October 1, 2009 for readings, production or broadcast during the 2009/10 Season. As New Orleans premiere professional theatre, Southern Rep continues its mission of finding, developing and producing outstanding original theatre with the RIOT. The competition-based NEW PLAY RIOT promises to showcase the new work of some of the Southern Gulf Coasts most exciting playwrights, both established and emerging.

Playwrights should go to www.southernrep.com for the NEW PLAY RIOT guidelines. The RIOT competition is open to playwrights native to or a resident of The Gulf Coast South, defined as Alabama, Florida, Georgia, Mississippi, Louisiana, or Texas. Deadline for submissions is October 1, 2009 at midnight. Electronic submissions only. Questions and submissions should be sent via email only to newplayriot@southernrep.com

With this new Season, Southern Rep enjoys its 23rd triumphant year of developing and producing bold new plays, providing SRTs audience with professional theatre of the highest artistic quality and achievement, and establishing a creative working environment that nurtures theatre professionals. As New Orleans premiere professional theatre, Southern Rep strives to use the artistry of theatre to enlighten, educate, and entertain audiences, and aims to extend that service through educational and outreach programs.

August 04, 2009

deadlines for submissions

Public Theater Emerging Writers Group
DEADLINE: AUG 28

Through an open application process, 10 playwrights will be selected for the Emerging Writers Group.
FOR MORE INFO: publictheater.org

hotINK International Festival
DEADLINE: SEPT 1
Playwrights from around the world and faculty from the Tisch School of the Arts come together. FOR MORE INFO: hotink.org.


New Dramatists
DEADLINE: SEPT 15
Now accepting writers for free seven-year residencies. FOR MORE INFO: newdramatists.org.


STAGE (Scientists, Technologies, and Artists Generating Exploration) Script Competition
DEADLINE: DEC 15
Plays must explore scientific and/or technological stories, themes, issues, o
r events. The winner of the STAGE competition will recieve $10,000. Multi-media theatre pieces, non-traditional plays, and new forms are encouraged. FOR MORE INFO: stage.cnsi.ucsb.edu

Women's Theatre Project
DEADLINE: ROLLING

The Women's Theatre Project is seeking full-length plays by and about lesbians written for an all female cast. Plays of interest will have a reading with an audience, with possible production in 2010 or 2011. E-mail play to twtp@bellsouth.net with "Lesibian Full-Length Play" in the subject.
FOR MORE INFO: womenstheatreproject.com

August 01, 2009

call for submissions

Southern Appalachian Repertory Theatre

PO Box 1720

Mars Hill, NC 28754-1720

828-689-1384

fax 828-689-1272

sart@mhc.edu

www.sartplays.org

Thank you for your interest in ScriptFEST 2010, the Southern Appalachian Repertory Theatre’s 29th

Annual Playwrights’ Conference. We welcome your submission and hope the following information will

answer your questions. If you need more information, please call the SART business office at 828-689-1384.

AN OVERVIEW

SCRIPTFEST, the Playwrights’ Conference typically receives 100-200 scripts each year. A small army of

SART volunteers read each submitted script; those recommended for further review are read again by a

committee of theatre professionals. Once all scripts have been reviewed, SART invites up to six playwrights to the annual conference to hear their plays read by SART actors and Mars Hill College Theatre Arts students. Playwrights join the directors, actors, and audiences in discussions and critiques following each reading. One script may be considered by SART to be included and fully produced in a following SART summer season.

The 2010 Conference will be held in October over one weekend in the historic Owen Theatre on the

campus of Mars Hill College in Mars Hill, North Carolina. The Conference is free and open to the public; all are welcome to attend. Playwrights invited to participate in the conference are selected by late-August and receive room and board while attending the conference. If a play is chosen for production to be included in SART’s regular summer season, it will be scheduled for a one to three week run in Owen Theatre during June, July or August of one of the subsequent years, earliest being the 2011 season. The author of a script selected for production in a regular SART season will receive a $1,000 honorarium plus room and board.

Since its opening season in 1975, SART has produced fifty-seven new plays, many supported by a New

Works grant from the North Carolina Arts Council. World premieres at SART include Ark of Safety by

Howard Richardson and Francis Goforth in 1975; Wednesday’s Children by C. Robert Jones (1980); Ed

Simpson’s The Battle of Shallowford (1990); My Castle’s Rockin’ by Larry Parr (1993); William Doswell’s Full Moon Over Montmartre (2001); Finding Clara by June Guralnick (2003), Mountain of Hope by William Gregg and Perry Deane Young (2004); Finding The Absent Crescent by Gina Pauratore (2005); Taking A Chance On Love by C. Robert Jones (2006); The Memory Collection: The Legend of Bascom Lamar Lunsford by Randy Noojin (2007); Miracle in Bedford Falls by Mark Cabaniss & Lowell Alexander (2008); Home Again by William Gregg & Perry Deane Young (2009). Recent ScriptFEST winners are Ruthie by David Wright (2008), and Big Criminals by Steve Wisniewski (2009).

SART recognizes that developing new scripts is neither an easy nor a short process. The testing and

development of new material at the conference allows the playwright to refine and build the work toward

possible production. SART’s commitment to developing and producing new plays has distinguished the

company from other regional summer theatres and earned a Professional Division Award from the N.C.

Theatre Conference (NCTC).

SART MISSION STATEMENT

A professional theatre dedicated to proven favorites, heritage of the Southern Appalachians, new works development, and opportunities for students and playwrights.

GUIDELINES FOR SUBMISSION

New scripts of full-length plays and musicals in English that are unpublished and previously

unproduced. No One-Acts. (Scripts that have gone through a developmental process or other readings

are eligible. Scripts produced by amateur community theatres and/or educational theatres are eligible.

Scripts produced by professional theatres are not eligible.)

TWO “hard” copies of scripts are required. And one author resume.

Author’s name and other author information should not appear in the scripts.

Playwrights may submit up to two different titles each submission period.

Excerpts and summaries will not be accepted without the FULL script.

No One Acts.

No film or television scripts, translations or adaptations.

Adaptations of novels and short stories are acceptable. Adaptations of movies and stage scripts are not

acceptable.

If you have submitted a particular title of yours in a previous year, it may be submitted again IF and

ONLY IF you have made significant revisions to the script since it was last submitted to us.

Provide a LARGE self-addressed, stamped envelope if you would like for SART to mail back your

script. The size of the envelope should be appropriate for the size of the script, and postage should be

the required postage necessary to deliver your script from Mars Hill NC to your address.

Preferred submission: ALL pages at least standard 3-ring hole-punched, if not in a binder.

1. Title Page: with no other information on it but the title

2. Synopsis Page(s) (optional) inserted directly behind the Title Page: containing play synopsis,

character descriptions, and other notes. (Do not include synopsis, notes, or other important

information in your cover letter. It will not be read by the adjudicators.)

3. Script

*DO NOT have the author’s name anywhere on the Title Page, Synopsis Page or the pages of

the manuscript. If you do, your submission MAY NOT be accepted!

4. Provide ONE additional and separate Title Page including author’s name, date, etc.

5. Author’s resume or some given background including thorough information.

6. If you include a cover letter, do not include synopsis, notes or other important information in the

letter. Anything you want the adjudicators to read, include on the inserted synopsis page(s) of the

manuscripts.

White paper. Two-sided or one-sided pages is author’s choice.

Musicals should be submitted with the above materials, and in addition a score and/or a recording of at

least four songs on cassette or CD. (Only ONE recording is necessary for each title.)

SART will not notify you of receipt of your submissions, unless with your submission you provide a

reply-postcard for us to send you, including postage. (optional)

SART will contact you by email if your submissions are not chosen in the final twenty. If you would

prefer postal-mail notification, you must provide a SASE with your submission. (optional)

The deadline for submission for the 2010 ScriptFEST Conference is a postmark of no later than October 31, 2009.

Submit to: SART ScriptFEST ‘10, PO Box 1720, Mars Hill NC 28754-1720.

(We suggest you mail by the US Postal Service. UPS will not deliver to PO boxes.)

writing intensive in nyc

PLEASURE AND RISK: Testing the Limits
a weekend writing intensive with Brooke Berman and Karen Hartman

Explore pleasure and risk-taking (and the pleasure of risk-taking) in this two day exploration of what lives at the edges of your own writing.

Saturday August 8th and Sunday August 9th
1-6 pm both days
Art New York - 520 8th Avenue b/w 36th and 37th

What is more delicious, safety or breaking boundaries? This workshop will help you figure out what is SAFE, how to make a haven for yourself as an artist. We will also approach what is UNSAFE, how to move beyond individual boundaries and "limits" to create work at a new level.

Both instructors will be present the entire time, with lots of writing ideas and exercises, and opportunity to share work as well.

$250 for the weekend.

Limited space, write to Brooke and Karen at
karensworkshop@gmail.com
with questions or to reserve.

Who We Are:

BROOKE BERMAN's plays have been produced and workshopped across the US and in London. She is a two-time recipient of both the Francesca Primus and Lecompte du Nouy awards; she is a recipient of a Berilla Kerr Award, a Helen Merrill Award, and a commissioning grant from the National Foundation for Jewish Culture for the play Until We Find Each Other, which was produced at Steppenwolf in 2002, directed by Anna D. Shapiro. Brooke’s play Hunting and Gathering premiered at Primary Stages, directed by Leigh Silverman, and was named one of the Ten Best of 2008 by New York Magazine. Her memoir, NO PLACE LIKE HOME, will be published by Random House in July, 2010. Brooke is also a screenwriter whose credits include the short ALL SAINTS DAY (directed by Will Frears), MAJOR MINOR DETAILS (the Mark Gordon Company), DISOBEDIENCE (Vox films), and an adaptation of her play SMASHING. Brooke has taught playwriting and creative writing as a guest artist in the New York City public school system, at assorted colleges, as well as privately to adults and through the “24 With 5 Teaching Collective” which she co-created at New Dramatists with Karen Hartman, Lynn Nottage, Jorge Cortinas and Dominick Taylor.

KAREN HARTMAN has taught playwriting for years at the Yale School of Drama, Yale University, Bennington College, and other universities and New York companies. She is the author of Gum, Leah’s Train, Goliath (Dorothy Silver New Play Prize), Going Gone (N.E.A. New Play Grant); Anatomy 1968; Girl Under Grain (Best Drama in NY Fringe; ALICE: Tales of a Curious Girl (Music by Gina Leishman, AT&T Onstage Award); Troy Women; Donna Wants, Goldie, Max, and Milk; Sea Change, a musical with AnnMarie Milazzo, and MotherBone, an opera with Graham Reynolds. Her plays have been performed in New York at the Women’s Project, NAATCO, P73, the NY Fringe, and Summer Play Festival, and at regional theaters including Center Stage, Cincinnati Playhouse, the Magic Theater, Dallas Theater Center, and elsewhere. She was awarded new play commissions from ACT in San Francisco, McCarter Theater, La Jolla Playhouse, South Coast Repertory, and others. Her work is published by Theater Communications Group, Dramatists Play Service, Playscripts, Backstage Books, and NoPassport Press. An alumna of New Dramatists and Yale (B.A., M.F.A.), Karen has received playwriting support from Rockefeller Foundation at Bellagio, the N.E.A., the Helen Merrill Foundation, a Daryl Roth "Creative Spirit" Award, a Hodder Fellowship, a Jerome Fellowship, a Fulbright Scholarship to Jerusalem, and Core Membership at the Playwrights Center.

grants

California Council for the Humanities Invites Entries for California Documentary Project
Grants of up to $7,000 will be awarded to individuals working to produce film and radio projects that enhance understanding of California cultures, peoples, and histories....

Posted on July 30, 2009
Deadline: October 1, 2009

Stage Director and Choreographers Foundation Invites Applications for Observership Program
Twenty-five early career directors and choreographers will gain the opportunity to observe professionals in the field as they create new productions in New York City and at regional theaters....

Posted on July 30, 2009
Deadline: August 17, 2009

Guidelines Announced for American Heritage Preservation Grants
The program funds the preservation of endangered and fragile artistic, literary, scientific, and historical works and provides grants of up to $3,000 to libraries, museums, and archival collections for conservation projects....

Posted on July 29, 2009
Deadline: September 15, 2009

National Museum of the American Indian Offers the Visiting Indigenous Professional Program
The program will provide hands-on training in various disciplines at the National Museum of the American Indian in Washington, D.C., to individuals working in Native museums and cultural centers....

Posted on July 29, 2009
Deadline: September 15 and March 15, annually

Johnson & Johnson/Society for the Arts in Healthcare Grant Funds Available for Arts in Healthcare Programs
A total of $60,000 will be awarded to nonprofits and government agencies that are members of the Society for the Arts in Healthcare and whose arts in healthcare programs show evidence of initial impact....

Posted on July 25, 2009
Deadline: October 15, 2009 (Letter of Inquiry)

July 24, 2009

grants

Science-Related Film Projects Invited for 2010 Sundance Institute/Alfred P. Sloan Commissioning Grant
Up to $25,000 and other support will be given to a screenwriter developing a science- or technology-related film that is neither a documentary nor a piece of science fiction....

Posted on July 23, 2009
Deadline: September 8, 2009

American Theatre Wing Invites Applications for Jonathan Larson Grants
Unrestricted general support will be given to support the careers of emerging composers, lyricists, and bookwriters dedicated to working in musical theater....

Posted on July 22, 2009
Deadline: August 29, 2009

July 20, 2009

Casting for FOX

FOX is conducting a worldwide open call online to cast two characters for its upcoming 2010 comedy, Sons of Tucson. The plot is about a charming con man named Ron who is hired by three brothers to act as their father while their real one is serving prison time for a white collar crime. Specifically, FOX is looking to cast two of the brothers. Kids and teens, with or without acting experience are invited to upload their audition videos online through July 24 at http://www.sonsoftucsonopencall.com . The show's Los Angeles-based casting directors will review each audition video and contact those they are interested in. Details on the two brother characters "Robby" and "Brandon" are as follows:

Robby - (8 years old) is the youngest Gunderson sibling. He's an impish and impulsive grade-schooler who needs Ron to bail him out when he accidently starts a fire at the back-to-school fair.It's partially for this reason that the Gundersons hire Ron full-time to pose as their dad.

Brandon - (13-15 years old) is the oldest of the Gunderson boys. He views life and the family's current situation through a somewhat warped lens. Energetic and upbeat, his eccentricity is charming at times, but his efforts to help his brothers often land them in hot water. He possesses terrific self confidence that is completely unearned.

jobs in tv

JOB OPENING: DIGITAL MEDIA TECH/NEW YORK: Digital Media tech for post prod, encoding & prod of graphics. Visit www.mylifetime.com/about-us/welcome https://www.abso.com/jobboard/Default.aspx?JOBBOARDID=507&JobDetail=57420 (7/31)

JOB OPENING: ON AIR TECHNICIAN/New York: OnAir Tech Master Control Ops Prod &
post production duties. Apply @ www.mylifetime.com/about-us/welcome https://www.abso.com/jobboard/Default.aspx?JOBBOARDID=507&JobDetail=58756 (7/30)

JOB OPENING: CNS-PROJ COORD/Comcast/NY: Supp Sales & Traffic sys by identifying, resrchng/resolving tech/bus issues. Help w/Quality Assurance, app train'g/implementation. Apply: http://www.ecentralmetrics.com/url/?u=4002157639-19 6 EOE (7/30)

JOB OPENING: SR CREATIVE EXEC ON-AIR PROMOS/WB Telepictures Prods/Burbank CA: Oversee branding, positioning & creative dir for promo dept for TV shows, websites, new show launches & dvlpmnt projs. Apply: careers.timewarner.com (7/28)

JOB OPENING: SUPPORT SPECIALIST/Invision Inc/NY: 2+yrs Media Ad Sales, initial contact for clients, problem determination & resolution, track & identify software fixes, good communication& writing skills Apply resumes@invisioninc.com (7/28)

JOB OPENING: RESEARCH PROJ. MGR-FREELANCE/Disney ABC TV Group/Burbank: Supp. ABC rsrch -surveys, focus grps, etc. Track/Analyze ratings. Min 3 yrs in TV res. req. Nielsen Galaxy Explorer req. Apply: Disney.abc.careers@disney.com (7/28)

JOB OPENING: VP, NETWORK-COMEDY/ABC/LA: Must have 7+ years of network, studio devlpmnt or current programming exp; ½ hour scripted from pitch to pilot; parent/ maintain current series. Apply www.disneycareers.com Req #201321 (7/18)

JOB OPENING: VP, NETWORK-DRAMA/ABC/LA: Must have 7+ years of network, studio develpmnt or current programming exp; 1 hour scripted from pitch to pilot; parent maintain current series. Apply www.disneycareers.com Req #200287 (7/18)

JOB OPENING: SR. ONLINE AD SALES EXEC/ Mindspark Interactive ( www.mindspark.com )/NYC: Grow & manage online ad sales for our most popular & engaging brands on the web. E-mail resume to: 37681-JB--765@iaccap.hrmdirect.com (7/18)

July 18, 2009

Finishing Funds for Docs

The International Documentary Association's Pare Lorentz Film Finishing Award will provide $25,000 to one deserving film project in need of financial assistance for completion. In keeping with the nature of Pare Lorentz's films—a successful candidate for the Pare Lorentz Film Finishing Fund award will demonstrate one or more of Lorentz's central concerns—the appropriate use of the natural environment, justice for all and the illumination of pressing social problems—presented as a compelling story by skillful film-making. Past projects submitted have a broad range of subject matter. A committee of documentary industry professionals will choose the winning selection.

Documentary projects meeting these areas of interest and concern are encouraged to apply for this $25,000 finishing fund award. Preference will be given to projects that have a strategic plan for and reasonable chance of securing public distribution in the following arenas: theatrical release, broadcast or cable television, or educational/ancillary distribution (to schools, museums, or other institutions).

To apply for the Pare Lorentz Film Finishing Award, please use the online submission process at Withoutabox.com. Read about eligibility requirements, timeline, FAQs, and more.

July 03, 2009

A double published day!

What a life I'm having! After an amazing and inspiring week in WV with HOW CISSY GREW, I returned to LA to have a double-published Tuesday!

The first play, HOW CISSY GREW is now available through Dramatic Publishing. Check out Liz and Stewart on the cover!

You can order copies online:http://www.dramaticpublishing.com/p2073/How-Cissy-Grew/product_info.html

The second book is a collection of scenes curated by fellow NYU grad Steve Ramshur and published by Smith & Kraus. It's called KISS OR KILL: CONTACT SCENES OF LOVE & STRIFE FOR YOUNG ACTORS and it includes a scene from my play BETTER DAYS PART ONE: ON THE ROAD TO FIND OUT.

http://www.amazon.com/Kiss-Kill-Contact-Scenes-Strife/dp/1575255820/ref=sr_1_1?ie=UTF8& ;s=books&qid=1246398886&sr=8-1

Thanks to all of you for your continued support of my work and please, find me or become a fan of HOW CISSY GREW on Facebook for more regular updates.

June 15, 2009

another job in new york

* Assistant Production and Facilities Manager; Performing Arts Center
Adelphi University (New York)
(date posted: 6/8/2009)
http://chronicle.com/jobs/id.php?id=0000601401-01&pg=e

Jobs in NYC

EXECUTIVE PRODUCER/ Nickelodeon Creative Adv/NYC:

7+yrs exp. Prod&Shooting in OnAirPromo/Adv, Strng Creat/Concept, Prod Sense/Aesth, Strng Org/Mgmt Skills, A+ EOE/M/F/D/AAP.

Apply http://enews.cynopsis.com/m/bbdGdS9pJo7LAGVNIQgIlTX17mwn0YWbbH1YtgGPo6DaOsoDaA (6/17)

SHOW RUNNER/DOCU-SOAP:

Est NY prod co seeks highly exp'd docu-soap whiz to produce, work w/talent, craft storylines, oversee staff, create a hit show. Previous docu-soap series an absolute must.

Res: http://webmailbb.netzero.net/webmail/new/8?folder=Inbox&msgNum=0000Ne00:001ADV7p00003l_e&block=1&msgNature=all&msgStatus=all&count=1245080218&content=central# (6/16)

June 11, 2009

DEADLINES

June 16

Squeaky Wheel’s four-week International Artist-in-Residence program, funded by the National Endowment for the Arts, allows mid-career film and media artists the time, space, and equipment to expand their practice and learn new technologies. Inter-media, performance, and installation artists are also welcome to apply. Residents receive accommodations, travel, and a $1,000 stipend, and have access to the center’s cameras, production and post-production systems, editing software, and found-footage library. As part of the residency, each artist curates an evening screening of films or video and teaches a local media art workshop. To apply, mail the application form, typed response to the application questions, a one-page résumé or artist bio, and one or two clearly labeled work samples; see the downloadable PDF for acceptable submission formats and full details.


June 22

The JT3 Artist Awards, a program of the Jesse Thompkins III Foundation for Young People in the Arts, provides grants to talented, hardworking filmmakers living in Brooklyn who demonstrate real potential for growth. Artists must be between the ages of 18 and 30. At least one $2,000 JT3 Artist Award will be granted, as well as one or more other awards under $2,000. To apply, submit the application form, personal essay, resume, screenplay (short or feature length), short film of no more than 10 minutes written and directed by the applicant, proof of residency, and a list of any additional completed works or works in progress to be considered as part of your body of work (note that these do not need to be limited to screenplays and films).


June 24

The Field’s Artward Bound is a 10-day group artist residency which gives participants the opportunity to make new work, participate in Fieldwork (the Field’s mixed discipline workshops program), and focus on personal career development. This program is open to artists who create original work in dance, music, performance art, text, and theater. To be eligible, applicants must be members of the Field; based in the greater New York City area or be a Field Network administrator, facilitator, or program participant; have worked professionally for a minimum of three years; and have publicly presented at least 60 minutes of original material. The program is free, including lodging, meals, and transportation from New York City. To apply, complete the application with your personal information, work history, and production history, and submit by email by the deadline date. For full details, see the website or download the PDF Application Form.


June 26

NYFA’s statewide Fellowships Program is seeking designs for a poster and postcard to promote next year’s competition. The winner will receive $500 and have his/her design used on NYFA’s Fellowships materials; second- and third-place winners receive $300 and $100 each. Submissions must include two separate layouts, one for the poster (11 x 14 inches) and one for the postcard (4 x 6 inches), as well as the necessary Fellowships text. To apply, send an email by 5 p.m. on the deadline date with your name, address, phone number, and two JPEG attachments of your designs to contest@nyfa.org. Images should have a resolution of 72 dpi with maximum dimensions 700 x 700 pixels and maximum size 2 MB. Members of NYFA’s Staff, Board of Trustees, and Artists’ Advisory Committee are ineligible to apply. For further details, and the full text to include with each design, see here.


June 26

The annual frieze Writer’s Prize is an international award for discovering and promoting new writers in the field of arts criticism. Entrants should be emerging critics, with a maximum of three pieces on art having been published in any national or regional newspaper or magazine (previous online publication, however, is permitted). The winner receives ₤2000 and will be commissioned to write a review for the October issue of frieze magazine. To apply, submit by email one previously unpublished review of a recent contemporary art exhibition, approximately 700 words in length. The judges of this year’s award are critic and art historian James Elkins, novelist and critic Ali Smith, and coeditor of frieze magazine Jennifer Higgie.


July 1

A.I.R. Gallery, a nonprofit gallery space advocating for women in the visual arts since 1972, invites artists working in all media to submit artwork to be considered for its fall 2009 exhibition “Mother/mother.” Curator Jennifer Wrobleski is seeking work (by women and men) made during a pregnancy or within five years of the birth of the artist’s child. Submissions need not be specifically about parenting or childbirth, though the curator is particularly interested in work resulting from changes in artistic processes or new thematic concerns that arise out of pregnancy. Proposals must be postmarked or hand delivered to the gallery on or before July 1, 2009 at 6 p.m., and online submissions must be received on July 1 by 11 p.m.. A downloadable application is available here.


July 3

Obscureterrain is seeking artists, performers, and community members to participate in a multi-rooftop spectacle of performances and events on Saturday, October 17, 2009 from 2-7 p.m. Taking place in Gowanus, Brooklyn, on rooftops along the F train where it emerges from underground at 4th Avenue and descends at Carroll Street, this happening invites participants to harness the subway commute as an opportunity to lift fantasies and potentials out of the mundane, and invent/imagine alternative modalities for transforming the urban landscape. Submit a brief description (no more than 250 words) of the project you would like to contribute, including your name, phone number, and email address to: obscureterrain@dtek.net. You do not have to secure a roof prior to your submission.


July 15

Supporting Women Artists Project (SWAP), a nonprofit organization whose mission is preparing the next generation of women artists for successful and fruitful careers, offers a year-long Residency and Mentor opportunity to women artists. Free studio space is provided in exchange for mentoring and teaching art classes to NYC public school girls at the elementary, middle, and high school levels. The weekly commitment is two hours per week, as well as two enrichment programs per semester, which might include a gallery visit or a lecture. (Note that applicants must have prior experience with young people) More information and an application is available here.


July 15

The Experimental Television Center’s Artists in Residency Program of Oswego, NY, provides artists with time and space to create new work which approach media as a contemporary electronic and cinematic form. The self-directed environment also offers personalized instruction, access to the media library, and use of a unique imaging system. Artists have unlimited access to the studio during their stay, and are encouraged to explore the boundaries and intersections within narrative, documentary, and social-issue traditions as well as experimental forms. To apply, send a brief project description, a current bio or résumé, a prioritized set of dates for attending the residency between September 1, 2009 and January 31, 2010, and a sample of completed work. More information and an application are available at on the ETC website.


Ongoing NYFA is launching a new program, an affordable workspace opportunity to NYFA-affiliated artists and organizations. The program provides a desk station and office amenities in NYFA’s air-conditioned DUMBO offices, and is open to past and current NYFA fellows, SOS and BUILD recipients, Immigrant Artist Mentors and Mentees, and currently fiscally sponsored artists and emerging organizations (contract fees up-to-date). Program participants pay a discounted rate of $200 a month, and receive a private workstation in the NYFA space, high-speed wireless Internet access, meeting space available by appointment, free and discounted printing and copying rates, access to NYFA’s in-house library of art resources and publications, and a fully equipped kitchen with hot coffee, tea, and filtered water. Individual phone service is available for an additional fee. NYFA’s offices are located five minutes from the York stop on the F train in Brooklyn’s DUMBO arts district, a 10-minute ride from Manhattan. See here for pictures of the space and full details on program benefits, office hours, and submitting an application.


For thousands more deadlines and ongoing opportunities, visit NYFA Source, the most comprehensive database of programs for artists of all disciplines in the country.

June 10, 2009

doc call for entries, funding, more...

CALLS FOR ENTRIES: View More »

Project Found Sound: Students for the Environment is accepting short environmental student films & PSA's for a monthly series. Submit entries by June 11.

Last Call for the Jackson Hole Wildlife Film Festival is June 15, 2009.

POV's 2010 Call for Entries Deadline is June 30, 2009.

FUNDING & OPPORTUNITIES: View More »

Chicken & Egg Pictures Open Call for submissions is now open for non-fiction projects that are dedicated to progressive social change. Deadline is June 30.

FESTIVALS & EVENTS: View More »

Till June 18 in Los Angeles, don't miss the 24th Israel Film Festival.

In Atlanta, the Fourth Annual Latin American and Caribbean Film Festival is from June 11-June 14.

And the 4th Annual DOKU.ARTS Int'l Festival for Films on Art is June 11-14 in Amsterdam.

From June 22-28, check out the Philadelphia Film Market.

SCREENINGS AND PREMIERES: View More »

The New India screening series continues till June 18 at MoMA in NYC.

June 05, 2009

CALL FOR ENTRIES

IDA Documentary Awards 2009

Early bird Deadline is June 11, 2009!
Enter Online Now!

The IDA Documentary Awards is the foremost event dedicated to the art of documentary film. All winners will be announced at the IDA Documentary Awards in Los Angeles on December 4, 2009. To apply for IDA Documentary Awards, please go to Withoutabox.com to submit your entry online.

IDA Distinguished Award Main Categories

FEATURE: Individual, stand-alone documentary, more than 40 minutes long. Student feature projects not eligible in this category and should submit as an entry in the IDA/David L. Wolper Award below. Award recipient - Limited to two persons, one of whom must be the credited Director who exercised directorial control, and the other of whom must have a Producer or Director credit.

SHORT: Individual, stand-alone documentary, less than or equal to 40 minutes long. Student short projects not eligible in this category, and should submit as an entry in the IDA/David L. Wolper Award below. Award recipients - Limited to two persons, one of whom must be the credited Director who exercised directorial control, and the other of whom must have a Producer or Director credit.

LIMITED SERIES: A limited series of episodes with a specific, continuing theme, topic or subject. (Sin City Law, The Supreme Court). Student projects are not eligible in this category. Award recipients - Limited to two persons. While co-production partners may be credited, only the Series Producer(s) will be presented with the award.

CONTINUING SERIES: An ongoing series. (American Masters, Nova, This American Life). While co-production partners may be credited, only the Executive Producer(s) of the continuing series will be presented with the award. Student projects are not eligible in this category. Award recipients - Limited to two persons.

IDA/DAVID L. WOLPER STUDENT DOCUMENTARY ACHIEVEMENT: A short or feature film/video, produced by registered, degree-seeking student(s). This award recognizes exceptional achievement in non-fiction film and video production at the university level and brings greater public and industry awareness to the work of students in the documentary field.

Special Recognition Awards

Not all five main categories of awards are eligible for every special recognition award listed below. See each one below for specific rules relating to which categories can be submitted for special recognition.

IDA/ABCNEWS VIDEOSOURCE AWARD for the best use of news footage as an integral component in a documentary. “News footage” is defined here as factual footage, contemporary or historical, shot for use in context such as newsreels, news specials, magazines or nightly news. “Integral component” is defined here as footage which is central to the structure, meaning and impact of the work. All main categories are eligible for this award.

IDA/PARE LORENTZ AWARD In keeping with the nature of Pare Lorentz's films—a successful candidate for the Pare Lorentz Award will demonstrate one or more of Lorentz's central concerns—the appropriate use of the natural environment, justice for all and the illumination of pressing social problems—presented as a compelling story by skillful film-making. A Pare Lorentz film will exhibit the highest production values: objective research, artistic writing, and outstanding music composition along with skillful direction, camerawork and editing. All main categories are eligible for this award.

IDA/HUMANITAS AWARD is given to a documentarian whose film strives to unify the human family by exploring the stories of human beings who are different in culture, race, lifestyle, political loyalties and religious beliefs in order to break down the wall of ignorance and fear that separates us. Only entries into the Distinguished Feature main category may apply for this award. Student projects are not eligible in this category.

IDA MUSIC DOCUMENTARY AWARD is given to a filmmaker for an outstanding documentary communicating the cultural importance of music and its power to enrich the human spirit. The entry must have all rights cleared. The award goes to ONE recipient: the credited individual who exercised creative control. Only stand-alone entries into the Distinguished Feature or Short main category may apply for this award. Student projects are not eligible in this category.

JUDGING is based on overall creative excellence. A committee of documentary filmmaking professionals screens all entries and selects all nominees. A Blue Ribbon panel picks the award winners.

To apply for the 2009 IDA Documentary Awards, please use the online submission process at Withoutabox.com.

grants

Mid Atlantic Arts Foundation Offers Travel Subsidies for 2009 Performing Arts Exchange

Nonprofits in the Mid Atlantic region and the U.S. Virgin Islands that have not sent representatives to the Performing Arts Exchange since 2005 can receive grants of up to $950 to cover regristration fees and travel expenses for this year's conference....

Posted on June 3, 2009
Deadline: June 30, 2009

National Endowment for the Humanities Announces Picturing America School Collaboration Projects Grant Opportunity

Grants of up to $75,000 will be awarded to collaborative projects between humanities scholars and educators to develop K-12 coursework related to American art....

Posted on June 3, 2009
Deadline: October 7, 2009

North Dakota Council on the Arts Announces Technology Grant Program

The new program will award grants of up to $600 each to North Dakota nonprofit arts organizations to support development of their Web sites, equipment purchases, and software upgrades....

Posted on June 1, 2009
Deadline: Rolling

June 02, 2009

CEI Pilot Program Call for Applications

DEPARTMENT OF CULTURAL AFFAIRS ANNOUNCES SECOND APPLICATION PROCESS FOR NEW CULTURAL EXCHANGE INTERNATIONAL PILOT PROGRAM

Los Angeles - The City of Los Angeles Department of Cultural Affairs (DCA) launched the second round of its Cultural Exchange International (CEI) Pilot Program and released the second set of guidelines for new applicants. CEI is a two-year fellowship program intended to enhance Los Angeles as a national and international center for the arts and foster cultural understandings through the expansion of networks and the exchange of knowledge between creative professionals.

CEI provides fellowship support to creative professionals (artists, arts administrators, arts/cultural educators and scholars, curators, presenters, creative entrepreneurs, cultural innovators, and cultural experts) traveling abroad for intensive residencies
(two weeks to three months), or creative professionals coming to Los Angeles for intensive residencies (also two weeks to three months), who have planned collaborative relationships with Los Angeles organizations to host their residencies. The program has been designed to support individual professionals or small groups (with a limit of three to four people per group).

In the first round of fellowship awards, 7 creative professionals, often leading teams of artists; 1 Los Angeles for-profit company; and 4 Los Angeles non-profit organizations were recommended for support with $88,000 for fellowship projects in Bolivia, Brazil, Cuba, Indonesia, Kazakhstan, Mexico, Poland, and Rwanda. All of these projects will also culminate in free public presentations in Los Angeles. An additional $12,950 is being awarded to three of these projects, which take place in Latin America, by the National Performance Network (NPN) for a total of $100,950 in funding support.

The two-year pilot program was made possible with seed funding from the City of
Los Angeles and the Durfee Foundation. The Durfee Foundation’s funding supports
Los Angeles artists traveling abroad. Funding from the National Performance Network focuses on exchanges between Los Angeles and Latin America and the Caribbean.

To date, several respected sponsor-partners have enlarged the pool of funds committed over the two-year pilot project to more than $550,000. For CEI’s second round of fellowships, partnerships have been extended to include the Foundation for International Cultural Activities (SICA) in the Netherlands, the Sacatar Foundation in Brazil, and the Trust for Mutual Understanding, which supports exchange between the United States and Russia, as well as Central and Eastern Europe.

Local creative professionals and businesses, and non-profit organizations are encouraged to find DCA’s CEI Program Grant Guidelines online at:

http://www.culturela.org/grants/CEI/CEI_Application_052109_wforms.pdf

The postmarked deadline for submission of all application materials is Friday, June 26, 2009. An informational workshop will be held at DCA’s main office at 201 North Figueroa Street, Suite 1400, Los Angeles, CA 90012, on Monday, June 8, 2009 from 5:30 p.m. to 6:30 p.m. For more information about the CEI Pilot Program guidelines and application, please contact Joe Smoke, DCA’s Cultural Grant Program Director at:

joe.smoke@lacity.org.


About DCA:

The Department of Cultural Affairs (DCA) both generates and supports high quality arts and cultural experiences for Los Angeles residents and visitors. DCA advances the social and economic impact of the arts and assures access to arts and cultural experiences through grant making, marketing, public and community arts programming, arts education, and creating partnerships with artists and arts and cultural organizations in every community in the City of Los Angeles.

DCA grants $3.2 million annually to over 280 artists and nonprofit arts organizations and awards the Artist-in-Residence (A.I.R.) and City of Los Angeles (C.O.L.A.) Individual Artist Fellowships. The Department provides arts and cultural programming in its numerous Neighborhood Arts and Cultural Centers, theaters, and historic sites, and manages several arts and education programs for young people. It directs public art projects and manages the City’s Arts Development Fee and Percent for Arts Programs, and the Art Collection and Murals Programs. DCA markets the City’s cultural events through development and collaboration with strategic partners, design and production of creative promotional materials, and management of the culturela.org website.