Southern Appalachian Repertory Theatre
Thank you for your interest in ScriptFEST 2010, the Southern Appalachian Repertory Theatre’s 29th
Annual Playwrights’ Conference. We welcome your submission and hope the following information will
answer your questions. If you need more information, please call the SART business office at 828-689-1384.
SCRIPTFEST, the Playwrights’ Conference typically receives 100-200 scripts each year. A small army of
SART volunteers read each submitted script; those recommended for further review are read again by a
committee of theatre professionals. Once all scripts have been reviewed, SART invites up to six playwrights to the annual conference to hear their plays read by SART actors and Mars Hill College Theatre Arts students. Playwrights join the directors, actors, and audiences in discussions and critiques following each reading. One script may be considered by SART to be included and fully produced in a following SART summer season.
The 2010 Conference will be held in October over one weekend in the historic
Since its opening season in 1975, SART has produced fifty-seven new plays, many supported by a New
Works grant from the North Carolina Arts Council. World premieres at SART include Ark of Safety by
Howard Richardson and Francis Goforth in 1975; Wednesday’s Children by C. Robert Jones (1980); Ed
SART recognizes that developing new scripts is neither an easy nor a short process. The testing and
development of new material at the conference allows the playwright to refine and build the work toward
possible production. SART’s commitment to developing and producing new plays has distinguished the
company from other regional summer theatres and earned a Professional Division Award from the N.C.
Theatre Conference (NCTC).
A professional theatre dedicated to proven favorites, heritage of the
GUIDELINES FOR SUBMISSION
• New scripts of full-length plays and musicals in English that are unpublished and previously
unproduced. No One-Acts. (Scripts that have gone through a developmental process or other readings
are eligible. Scripts produced by amateur community theatres and/or educational theatres are eligible.
Scripts produced by professional theatres are not eligible.)
• TWO “hard” copies of scripts are required. And one author resume.
Author’s name and other author information should not appear in the scripts.
• Playwrights may submit up to two different titles each submission period.
• Excerpts and summaries will not be accepted without the FULL script.
• No One Acts.
• No film or television scripts, translations or adaptations.
• Adaptations of novels and short stories are acceptable. Adaptations of movies and stage scripts are not
• If you have submitted a particular title of yours in a previous year, it may be submitted again IF and
ONLY IF you have made significant revisions to the script since it was last submitted to us.
• Provide a LARGE self-addressed, stamped envelope if you would like for SART to mail back your
script. The size of the envelope should be appropriate for the size of the script, and postage should be
the required postage necessary to deliver your script from
• Preferred submission: ALL pages at least standard 3-ring hole-punched, if not in a binder.
1. Title Page: with no other information on it but the title
2. Synopsis Page(s) (optional) inserted directly behind the Title Page: containing play synopsis,
character descriptions, and other notes. (Do not include synopsis, notes, or other important
information in your cover letter. It will not be read by the adjudicators.)
*DO NOT have the author’s name anywhere on the Title Page, Synopsis Page or the pages of
the manuscript. If you do, your submission MAY NOT be accepted!
4. Provide ONE additional and separate Title Page including author’s name, date, etc.
5. Author’s resume or some given background including thorough information.
6. If you include a cover letter, do not include synopsis, notes or other important information in the
letter. Anything you want the adjudicators to read, include on the inserted synopsis page(s) of the
• White paper. Two-sided or one-sided pages is author’s choice.
• Musicals should be submitted with the above materials, and in addition a score and/or a recording of at
least four songs on cassette or CD. (Only ONE recording is necessary for each title.)
• SART will not notify you of receipt of your submissions, unless with your submission you provide a
reply-postcard for us to send you, including postage. (optional)
• SART will contact you by email if your submissions are not chosen in the final twenty. If you would
prefer postal-mail notification, you must provide a SASE with your submission. (optional)
The deadline for submission for the 2010 ScriptFEST Conference is a postmark of no later than October 31, 2009.
Submit to: SART ScriptFEST ‘10,
(We suggest you mail by the US Postal Service. UPS will not deliver to