July 24, 2009

grants

Science-Related Film Projects Invited for 2010 Sundance Institute/Alfred P. Sloan Commissioning Grant
Up to $25,000 and other support will be given to a screenwriter developing a science- or technology-related film that is neither a documentary nor a piece of science fiction....

Posted on July 23, 2009
Deadline: September 8, 2009

American Theatre Wing Invites Applications for Jonathan Larson Grants
Unrestricted general support will be given to support the careers of emerging composers, lyricists, and bookwriters dedicated to working in musical theater....

Posted on July 22, 2009
Deadline: August 29, 2009

July 20, 2009

Casting for FOX

FOX is conducting a worldwide open call online to cast two characters for its upcoming 2010 comedy, Sons of Tucson. The plot is about a charming con man named Ron who is hired by three brothers to act as their father while their real one is serving prison time for a white collar crime. Specifically, FOX is looking to cast two of the brothers. Kids and teens, with or without acting experience are invited to upload their audition videos online through July 24 at http://www.sonsoftucsonopencall.com . The show's Los Angeles-based casting directors will review each audition video and contact those they are interested in. Details on the two brother characters "Robby" and "Brandon" are as follows:

Robby - (8 years old) is the youngest Gunderson sibling. He's an impish and impulsive grade-schooler who needs Ron to bail him out when he accidently starts a fire at the back-to-school fair.It's partially for this reason that the Gundersons hire Ron full-time to pose as their dad.

Brandon - (13-15 years old) is the oldest of the Gunderson boys. He views life and the family's current situation through a somewhat warped lens. Energetic and upbeat, his eccentricity is charming at times, but his efforts to help his brothers often land them in hot water. He possesses terrific self confidence that is completely unearned.

jobs in tv

JOB OPENING: DIGITAL MEDIA TECH/NEW YORK: Digital Media tech for post prod, encoding & prod of graphics. Visit www.mylifetime.com/about-us/welcome https://www.abso.com/jobboard/Default.aspx?JOBBOARDID=507&JobDetail=57420 (7/31)

JOB OPENING: ON AIR TECHNICIAN/New York: OnAir Tech Master Control Ops Prod &
post production duties. Apply @ www.mylifetime.com/about-us/welcome https://www.abso.com/jobboard/Default.aspx?JOBBOARDID=507&JobDetail=58756 (7/30)

JOB OPENING: CNS-PROJ COORD/Comcast/NY: Supp Sales & Traffic sys by identifying, resrchng/resolving tech/bus issues. Help w/Quality Assurance, app train'g/implementation. Apply: http://www.ecentralmetrics.com/url/?u=4002157639-19 6 EOE (7/30)

JOB OPENING: SR CREATIVE EXEC ON-AIR PROMOS/WB Telepictures Prods/Burbank CA: Oversee branding, positioning & creative dir for promo dept for TV shows, websites, new show launches & dvlpmnt projs. Apply: careers.timewarner.com (7/28)

JOB OPENING: SUPPORT SPECIALIST/Invision Inc/NY: 2+yrs Media Ad Sales, initial contact for clients, problem determination & resolution, track & identify software fixes, good communication& writing skills Apply resumes@invisioninc.com (7/28)

JOB OPENING: RESEARCH PROJ. MGR-FREELANCE/Disney ABC TV Group/Burbank: Supp. ABC rsrch -surveys, focus grps, etc. Track/Analyze ratings. Min 3 yrs in TV res. req. Nielsen Galaxy Explorer req. Apply: Disney.abc.careers@disney.com (7/28)

JOB OPENING: VP, NETWORK-COMEDY/ABC/LA: Must have 7+ years of network, studio devlpmnt or current programming exp; ½ hour scripted from pitch to pilot; parent/ maintain current series. Apply www.disneycareers.com Req #201321 (7/18)

JOB OPENING: VP, NETWORK-DRAMA/ABC/LA: Must have 7+ years of network, studio develpmnt or current programming exp; 1 hour scripted from pitch to pilot; parent maintain current series. Apply www.disneycareers.com Req #200287 (7/18)

JOB OPENING: SR. ONLINE AD SALES EXEC/ Mindspark Interactive ( www.mindspark.com )/NYC: Grow & manage online ad sales for our most popular & engaging brands on the web. E-mail resume to: 37681-JB--765@iaccap.hrmdirect.com (7/18)

July 18, 2009

Finishing Funds for Docs

The International Documentary Association's Pare Lorentz Film Finishing Award will provide $25,000 to one deserving film project in need of financial assistance for completion. In keeping with the nature of Pare Lorentz's films—a successful candidate for the Pare Lorentz Film Finishing Fund award will demonstrate one or more of Lorentz's central concerns—the appropriate use of the natural environment, justice for all and the illumination of pressing social problems—presented as a compelling story by skillful film-making. Past projects submitted have a broad range of subject matter. A committee of documentary industry professionals will choose the winning selection.

Documentary projects meeting these areas of interest and concern are encouraged to apply for this $25,000 finishing fund award. Preference will be given to projects that have a strategic plan for and reasonable chance of securing public distribution in the following arenas: theatrical release, broadcast or cable television, or educational/ancillary distribution (to schools, museums, or other institutions).

To apply for the Pare Lorentz Film Finishing Award, please use the online submission process at Withoutabox.com. Read about eligibility requirements, timeline, FAQs, and more.

July 03, 2009

A double published day!

What a life I'm having! After an amazing and inspiring week in WV with HOW CISSY GREW, I returned to LA to have a double-published Tuesday!

The first play, HOW CISSY GREW is now available through Dramatic Publishing. Check out Liz and Stewart on the cover!

You can order copies online:http://www.dramaticpublishing.com/p2073/How-Cissy-Grew/product_info.html

The second book is a collection of scenes curated by fellow NYU grad Steve Ramshur and published by Smith & Kraus. It's called KISS OR KILL: CONTACT SCENES OF LOVE & STRIFE FOR YOUNG ACTORS and it includes a scene from my play BETTER DAYS PART ONE: ON THE ROAD TO FIND OUT.

http://www.amazon.com/Kiss-Kill-Contact-Scenes-Strife/dp/1575255820/ref=sr_1_1?ie=UTF8& ;s=books&qid=1246398886&sr=8-1

Thanks to all of you for your continued support of my work and please, find me or become a fan of HOW CISSY GREW on Facebook for more regular updates.

June 15, 2009

another job in new york

* Assistant Production and Facilities Manager; Performing Arts Center
Adelphi University (New York)
(date posted: 6/8/2009)
http://chronicle.com/jobs/id.php?id=0000601401-01&pg=e

Jobs in NYC

EXECUTIVE PRODUCER/ Nickelodeon Creative Adv/NYC:

7+yrs exp. Prod&Shooting in OnAirPromo/Adv, Strng Creat/Concept, Prod Sense/Aesth, Strng Org/Mgmt Skills, A+ EOE/M/F/D/AAP.

Apply http://enews.cynopsis.com/m/bbdGdS9pJo7LAGVNIQgIlTX17mwn0YWbbH1YtgGPo6DaOsoDaA (6/17)

SHOW RUNNER/DOCU-SOAP:

Est NY prod co seeks highly exp'd docu-soap whiz to produce, work w/talent, craft storylines, oversee staff, create a hit show. Previous docu-soap series an absolute must.

Res: http://webmailbb.netzero.net/webmail/new/8?folder=Inbox&msgNum=0000Ne00:001ADV7p00003l_e&block=1&msgNature=all&msgStatus=all&count=1245080218&content=central# (6/16)

June 11, 2009

DEADLINES

June 16

Squeaky Wheel’s four-week International Artist-in-Residence program, funded by the National Endowment for the Arts, allows mid-career film and media artists the time, space, and equipment to expand their practice and learn new technologies. Inter-media, performance, and installation artists are also welcome to apply. Residents receive accommodations, travel, and a $1,000 stipend, and have access to the center’s cameras, production and post-production systems, editing software, and found-footage library. As part of the residency, each artist curates an evening screening of films or video and teaches a local media art workshop. To apply, mail the application form, typed response to the application questions, a one-page résumé or artist bio, and one or two clearly labeled work samples; see the downloadable PDF for acceptable submission formats and full details.


June 22

The JT3 Artist Awards, a program of the Jesse Thompkins III Foundation for Young People in the Arts, provides grants to talented, hardworking filmmakers living in Brooklyn who demonstrate real potential for growth. Artists must be between the ages of 18 and 30. At least one $2,000 JT3 Artist Award will be granted, as well as one or more other awards under $2,000. To apply, submit the application form, personal essay, resume, screenplay (short or feature length), short film of no more than 10 minutes written and directed by the applicant, proof of residency, and a list of any additional completed works or works in progress to be considered as part of your body of work (note that these do not need to be limited to screenplays and films).


June 24

The Field’s Artward Bound is a 10-day group artist residency which gives participants the opportunity to make new work, participate in Fieldwork (the Field’s mixed discipline workshops program), and focus on personal career development. This program is open to artists who create original work in dance, music, performance art, text, and theater. To be eligible, applicants must be members of the Field; based in the greater New York City area or be a Field Network administrator, facilitator, or program participant; have worked professionally for a minimum of three years; and have publicly presented at least 60 minutes of original material. The program is free, including lodging, meals, and transportation from New York City. To apply, complete the application with your personal information, work history, and production history, and submit by email by the deadline date. For full details, see the website or download the PDF Application Form.


June 26

NYFA’s statewide Fellowships Program is seeking designs for a poster and postcard to promote next year’s competition. The winner will receive $500 and have his/her design used on NYFA’s Fellowships materials; second- and third-place winners receive $300 and $100 each. Submissions must include two separate layouts, one for the poster (11 x 14 inches) and one for the postcard (4 x 6 inches), as well as the necessary Fellowships text. To apply, send an email by 5 p.m. on the deadline date with your name, address, phone number, and two JPEG attachments of your designs to contest@nyfa.org. Images should have a resolution of 72 dpi with maximum dimensions 700 x 700 pixels and maximum size 2 MB. Members of NYFA’s Staff, Board of Trustees, and Artists’ Advisory Committee are ineligible to apply. For further details, and the full text to include with each design, see here.


June 26

The annual frieze Writer’s Prize is an international award for discovering and promoting new writers in the field of arts criticism. Entrants should be emerging critics, with a maximum of three pieces on art having been published in any national or regional newspaper or magazine (previous online publication, however, is permitted). The winner receives ₤2000 and will be commissioned to write a review for the October issue of frieze magazine. To apply, submit by email one previously unpublished review of a recent contemporary art exhibition, approximately 700 words in length. The judges of this year’s award are critic and art historian James Elkins, novelist and critic Ali Smith, and coeditor of frieze magazine Jennifer Higgie.


July 1

A.I.R. Gallery, a nonprofit gallery space advocating for women in the visual arts since 1972, invites artists working in all media to submit artwork to be considered for its fall 2009 exhibition “Mother/mother.” Curator Jennifer Wrobleski is seeking work (by women and men) made during a pregnancy or within five years of the birth of the artist’s child. Submissions need not be specifically about parenting or childbirth, though the curator is particularly interested in work resulting from changes in artistic processes or new thematic concerns that arise out of pregnancy. Proposals must be postmarked or hand delivered to the gallery on or before July 1, 2009 at 6 p.m., and online submissions must be received on July 1 by 11 p.m.. A downloadable application is available here.


July 3

Obscureterrain is seeking artists, performers, and community members to participate in a multi-rooftop spectacle of performances and events on Saturday, October 17, 2009 from 2-7 p.m. Taking place in Gowanus, Brooklyn, on rooftops along the F train where it emerges from underground at 4th Avenue and descends at Carroll Street, this happening invites participants to harness the subway commute as an opportunity to lift fantasies and potentials out of the mundane, and invent/imagine alternative modalities for transforming the urban landscape. Submit a brief description (no more than 250 words) of the project you would like to contribute, including your name, phone number, and email address to: obscureterrain@dtek.net. You do not have to secure a roof prior to your submission.


July 15

Supporting Women Artists Project (SWAP), a nonprofit organization whose mission is preparing the next generation of women artists for successful and fruitful careers, offers a year-long Residency and Mentor opportunity to women artists. Free studio space is provided in exchange for mentoring and teaching art classes to NYC public school girls at the elementary, middle, and high school levels. The weekly commitment is two hours per week, as well as two enrichment programs per semester, which might include a gallery visit or a lecture. (Note that applicants must have prior experience with young people) More information and an application is available here.


July 15

The Experimental Television Center’s Artists in Residency Program of Oswego, NY, provides artists with time and space to create new work which approach media as a contemporary electronic and cinematic form. The self-directed environment also offers personalized instruction, access to the media library, and use of a unique imaging system. Artists have unlimited access to the studio during their stay, and are encouraged to explore the boundaries and intersections within narrative, documentary, and social-issue traditions as well as experimental forms. To apply, send a brief project description, a current bio or résumé, a prioritized set of dates for attending the residency between September 1, 2009 and January 31, 2010, and a sample of completed work. More information and an application are available at on the ETC website.


Ongoing NYFA is launching a new program, an affordable workspace opportunity to NYFA-affiliated artists and organizations. The program provides a desk station and office amenities in NYFA’s air-conditioned DUMBO offices, and is open to past and current NYFA fellows, SOS and BUILD recipients, Immigrant Artist Mentors and Mentees, and currently fiscally sponsored artists and emerging organizations (contract fees up-to-date). Program participants pay a discounted rate of $200 a month, and receive a private workstation in the NYFA space, high-speed wireless Internet access, meeting space available by appointment, free and discounted printing and copying rates, access to NYFA’s in-house library of art resources and publications, and a fully equipped kitchen with hot coffee, tea, and filtered water. Individual phone service is available for an additional fee. NYFA’s offices are located five minutes from the York stop on the F train in Brooklyn’s DUMBO arts district, a 10-minute ride from Manhattan. See here for pictures of the space and full details on program benefits, office hours, and submitting an application.


For thousands more deadlines and ongoing opportunities, visit NYFA Source, the most comprehensive database of programs for artists of all disciplines in the country.

June 10, 2009

doc call for entries, funding, more...

CALLS FOR ENTRIES: View More »

Project Found Sound: Students for the Environment is accepting short environmental student films & PSA's for a monthly series. Submit entries by June 11.

Last Call for the Jackson Hole Wildlife Film Festival is June 15, 2009.

POV's 2010 Call for Entries Deadline is June 30, 2009.

FUNDING & OPPORTUNITIES: View More »

Chicken & Egg Pictures Open Call for submissions is now open for non-fiction projects that are dedicated to progressive social change. Deadline is June 30.

FESTIVALS & EVENTS: View More »

Till June 18 in Los Angeles, don't miss the 24th Israel Film Festival.

In Atlanta, the Fourth Annual Latin American and Caribbean Film Festival is from June 11-June 14.

And the 4th Annual DOKU.ARTS Int'l Festival for Films on Art is June 11-14 in Amsterdam.

From June 22-28, check out the Philadelphia Film Market.

SCREENINGS AND PREMIERES: View More »

The New India screening series continues till June 18 at MoMA in NYC.

June 05, 2009

CALL FOR ENTRIES

IDA Documentary Awards 2009

Early bird Deadline is June 11, 2009!
Enter Online Now!

The IDA Documentary Awards is the foremost event dedicated to the art of documentary film. All winners will be announced at the IDA Documentary Awards in Los Angeles on December 4, 2009. To apply for IDA Documentary Awards, please go to Withoutabox.com to submit your entry online.

IDA Distinguished Award Main Categories

FEATURE: Individual, stand-alone documentary, more than 40 minutes long. Student feature projects not eligible in this category and should submit as an entry in the IDA/David L. Wolper Award below. Award recipient - Limited to two persons, one of whom must be the credited Director who exercised directorial control, and the other of whom must have a Producer or Director credit.

SHORT: Individual, stand-alone documentary, less than or equal to 40 minutes long. Student short projects not eligible in this category, and should submit as an entry in the IDA/David L. Wolper Award below. Award recipients - Limited to two persons, one of whom must be the credited Director who exercised directorial control, and the other of whom must have a Producer or Director credit.

LIMITED SERIES: A limited series of episodes with a specific, continuing theme, topic or subject. (Sin City Law, The Supreme Court). Student projects are not eligible in this category. Award recipients - Limited to two persons. While co-production partners may be credited, only the Series Producer(s) will be presented with the award.

CONTINUING SERIES: An ongoing series. (American Masters, Nova, This American Life). While co-production partners may be credited, only the Executive Producer(s) of the continuing series will be presented with the award. Student projects are not eligible in this category. Award recipients - Limited to two persons.

IDA/DAVID L. WOLPER STUDENT DOCUMENTARY ACHIEVEMENT: A short or feature film/video, produced by registered, degree-seeking student(s). This award recognizes exceptional achievement in non-fiction film and video production at the university level and brings greater public and industry awareness to the work of students in the documentary field.

Special Recognition Awards

Not all five main categories of awards are eligible for every special recognition award listed below. See each one below for specific rules relating to which categories can be submitted for special recognition.

IDA/ABCNEWS VIDEOSOURCE AWARD for the best use of news footage as an integral component in a documentary. “News footage” is defined here as factual footage, contemporary or historical, shot for use in context such as newsreels, news specials, magazines or nightly news. “Integral component” is defined here as footage which is central to the structure, meaning and impact of the work. All main categories are eligible for this award.

IDA/PARE LORENTZ AWARD In keeping with the nature of Pare Lorentz's films—a successful candidate for the Pare Lorentz Award will demonstrate one or more of Lorentz's central concerns—the appropriate use of the natural environment, justice for all and the illumination of pressing social problems—presented as a compelling story by skillful film-making. A Pare Lorentz film will exhibit the highest production values: objective research, artistic writing, and outstanding music composition along with skillful direction, camerawork and editing. All main categories are eligible for this award.

IDA/HUMANITAS AWARD is given to a documentarian whose film strives to unify the human family by exploring the stories of human beings who are different in culture, race, lifestyle, political loyalties and religious beliefs in order to break down the wall of ignorance and fear that separates us. Only entries into the Distinguished Feature main category may apply for this award. Student projects are not eligible in this category.

IDA MUSIC DOCUMENTARY AWARD is given to a filmmaker for an outstanding documentary communicating the cultural importance of music and its power to enrich the human spirit. The entry must have all rights cleared. The award goes to ONE recipient: the credited individual who exercised creative control. Only stand-alone entries into the Distinguished Feature or Short main category may apply for this award. Student projects are not eligible in this category.

JUDGING is based on overall creative excellence. A committee of documentary filmmaking professionals screens all entries and selects all nominees. A Blue Ribbon panel picks the award winners.

To apply for the 2009 IDA Documentary Awards, please use the online submission process at Withoutabox.com.

grants

Mid Atlantic Arts Foundation Offers Travel Subsidies for 2009 Performing Arts Exchange

Nonprofits in the Mid Atlantic region and the U.S. Virgin Islands that have not sent representatives to the Performing Arts Exchange since 2005 can receive grants of up to $950 to cover regristration fees and travel expenses for this year's conference....

Posted on June 3, 2009
Deadline: June 30, 2009

National Endowment for the Humanities Announces Picturing America School Collaboration Projects Grant Opportunity

Grants of up to $75,000 will be awarded to collaborative projects between humanities scholars and educators to develop K-12 coursework related to American art....

Posted on June 3, 2009
Deadline: October 7, 2009

North Dakota Council on the Arts Announces Technology Grant Program

The new program will award grants of up to $600 each to North Dakota nonprofit arts organizations to support development of their Web sites, equipment purchases, and software upgrades....

Posted on June 1, 2009
Deadline: Rolling

June 02, 2009

CEI Pilot Program Call for Applications

DEPARTMENT OF CULTURAL AFFAIRS ANNOUNCES SECOND APPLICATION PROCESS FOR NEW CULTURAL EXCHANGE INTERNATIONAL PILOT PROGRAM

Los Angeles - The City of Los Angeles Department of Cultural Affairs (DCA) launched the second round of its Cultural Exchange International (CEI) Pilot Program and released the second set of guidelines for new applicants. CEI is a two-year fellowship program intended to enhance Los Angeles as a national and international center for the arts and foster cultural understandings through the expansion of networks and the exchange of knowledge between creative professionals.

CEI provides fellowship support to creative professionals (artists, arts administrators, arts/cultural educators and scholars, curators, presenters, creative entrepreneurs, cultural innovators, and cultural experts) traveling abroad for intensive residencies
(two weeks to three months), or creative professionals coming to Los Angeles for intensive residencies (also two weeks to three months), who have planned collaborative relationships with Los Angeles organizations to host their residencies. The program has been designed to support individual professionals or small groups (with a limit of three to four people per group).

In the first round of fellowship awards, 7 creative professionals, often leading teams of artists; 1 Los Angeles for-profit company; and 4 Los Angeles non-profit organizations were recommended for support with $88,000 for fellowship projects in Bolivia, Brazil, Cuba, Indonesia, Kazakhstan, Mexico, Poland, and Rwanda. All of these projects will also culminate in free public presentations in Los Angeles. An additional $12,950 is being awarded to three of these projects, which take place in Latin America, by the National Performance Network (NPN) for a total of $100,950 in funding support.

The two-year pilot program was made possible with seed funding from the City of
Los Angeles and the Durfee Foundation. The Durfee Foundation’s funding supports
Los Angeles artists traveling abroad. Funding from the National Performance Network focuses on exchanges between Los Angeles and Latin America and the Caribbean.

To date, several respected sponsor-partners have enlarged the pool of funds committed over the two-year pilot project to more than $550,000. For CEI’s second round of fellowships, partnerships have been extended to include the Foundation for International Cultural Activities (SICA) in the Netherlands, the Sacatar Foundation in Brazil, and the Trust for Mutual Understanding, which supports exchange between the United States and Russia, as well as Central and Eastern Europe.

Local creative professionals and businesses, and non-profit organizations are encouraged to find DCA’s CEI Program Grant Guidelines online at:

http://www.culturela.org/grants/CEI/CEI_Application_052109_wforms.pdf

The postmarked deadline for submission of all application materials is Friday, June 26, 2009. An informational workshop will be held at DCA’s main office at 201 North Figueroa Street, Suite 1400, Los Angeles, CA 90012, on Monday, June 8, 2009 from 5:30 p.m. to 6:30 p.m. For more information about the CEI Pilot Program guidelines and application, please contact Joe Smoke, DCA’s Cultural Grant Program Director at:

joe.smoke@lacity.org.


About DCA:

The Department of Cultural Affairs (DCA) both generates and supports high quality arts and cultural experiences for Los Angeles residents and visitors. DCA advances the social and economic impact of the arts and assures access to arts and cultural experiences through grant making, marketing, public and community arts programming, arts education, and creating partnerships with artists and arts and cultural organizations in every community in the City of Los Angeles.

DCA grants $3.2 million annually to over 280 artists and nonprofit arts organizations and awards the Artist-in-Residence (A.I.R.) and City of Los Angeles (C.O.L.A.) Individual Artist Fellowships. The Department provides arts and cultural programming in its numerous Neighborhood Arts and Cultural Centers, theaters, and historic sites, and manages several arts and education programs for young people. It directs public art projects and manages the City’s Arts Development Fee and Percent for Arts Programs, and the Art Collection and Murals Programs. DCA markets the City’s cultural events through development and collaboration with strategic partners, design and production of creative promotional materials, and management of the culturela.org website.

May 31, 2009

Esther Robinson on Looking Debt in the Eye

This article is posted at:

http://www.nyfa.org/nyfa_current_detail.asp?id=17&fid=1&curid=769

What’s the upside of the current recession? Clarity about credit. It’s time for us to finally recognize that no gallery, grant, agent, or god is going to make our credit woes disappear. The economy is bad and getting worse, but it’s giving us a gift. There are actions we can take—actions we must take—to guarantee that we can make our art going forward. These actions all center on our relationship to credit.

Think fast: When was the last time you used a credit card? Probably pretty recently, if you’re like most people. These days, using personal credit as a constant source of financing is so common that we barely even register the individual transactions. My first film, A Walk into the Sea: Danny Williams and The Warhol Factory, was made possible by personal credit. Granted, I was conservative (I never took on more debt than I could handle, kept balance-to-available-credit ratios low, used zero percent cards, and paid off the amounts regularly). Still, the cards were a godsend, allowing me to fly to interviews and take calculated risks against future infusions of cash. But what if all that disappeared?

Here’s the kicker: “About 45 percent of U.S. banks reduced credit limits for new or existing credit-card customers in the fourth quarter of 2008,” according to a January 2009 Federal Reserve survey of senior loan officers. And a November 30 report by Meredith Whitney, a former Oppenheimer analyst, states that financial institutions may slash $2 trillion in credit-card lines in the next 18 months.

In other words, your credit card limits are likely to be lowered, and getting new lines of credit is going to be a lot harder. In some ways this is good news. None of us should carry more credit than we can pay down, and lower limits can keep us in the safe zone. But credit is still a useful tool. Like any businesspeople, artists often need access to cash more quickly than our bank balance allows (deadlines to meet before the grant check clears, for example). And as long as we can afford to pay it back, credit can be a lifeline. So what to do?

The first step is to rid yourself of current debt. The truth is, the money that you spend on interest payments is money you can’t spend on making art. If you finance a current project with personal credit you can’t pay down, you’ll still be making payments on that project five years from now—instead of using that money to make new work. You need to look your debt in the eye and:

Figure out how much you owe.
Figure out what your upcoming costs will be.
Determine how much you can realistically spend each month to pay down your balances.
Use on-line credit calculators to determine the fastest way to rid yourself of debt.

A number of websites feature great tools to help you analyze your different cards and their respective balances and interest rates to determine which ones you should pay down first to garner the greatest savings. In general, you should attempt to pay down the highest interest rate debt first. A “debt snowball” calculator allows you to enter up to 20 different debts and their respective APRs. You then enter in how much you can spend each month to pay down this debt, and it will tell you what order/amounts to pay for each card to get you out of debt the fastest.

Power Payment works on the same principle—and the site also has online budgeting, which is very helpful if you first need to figure out how much you can spend on debt payments.

The CNN Money debt planner has a regular pay-down calculator but also allows you to type in when you want your debt to end. It also tells you how much you need to pay each month to make this happen.The second thing you need to do is safeguard your access to credit by improving your Credit (FICO) Score. Your score determines your credit limits, and whether you’ll be offered new credit lines. The lower your score, the harder the credit crunch will hit you. Fortunately, there’s a lot you can do to improve your score. Here are some solid credit repair tips: Order a copy of your credit report, review it carefully, and correct any significant errors.

You are legally entitled to receive one free report a year. You can go to www.annualcreditreport.com and order your free credit report or to www.myfico.com and www.experian.com to order reports for a charge. Changing a mistake on your report (like a mislabeled late payment) can take 30 days to four months or longer. I think this step is best done with friends. Truthfully the report can be a bit daunting, so if you’re with your friends you can have a good laugh at how poorly designed the report is, have some good snacks and plow through finding mistakes. Then write the letters and send them off….

Next, pay your bills on time. I know, it’s a recession. But, now more than ever, it’s important to stay on top of things. A recent missed payment is more likely to lower your score than an isolated late payment from way back. What this means is, forget how you did or didn’t pay your bills before and just start paying them on time now.

Make AutoPay your friend. If you’re traveling a lot or are prone to forgetting, you can set up AutoPay for automatic payment of your credit card’s minimum balance (just be sure to always have enough money in the bank to cover it!). Scared of Autopay? Set a date every month that is “credit day” and stick to paying your bills on that date. The good news is that if you’re serious about debt reduction and you’re paying on-time using the tools on analyzing your credit in the links above, your credit score will improve.

Other tips? Here’s a counter-intuitive one: Use the credit cards you have as frequently as is prudent. A perverse result of the credit crisis is that if you don’t use your credit accounts, the banks may close them or lower the limit. And having your limits reduced can lower your score. The banks are looking for ways to reduce their risk, and an inactive account gives them a great excuse. But remember to use them responsibly; this is not license to go wild. Also, it’s important to keep your overall balance low in relation to your available credit. If your credit limit is $10,000, keeping your balance below $2,500 (25%) will improve your score.

Pay off your credit card debt rather than moving it to lower rate cards. This is important because you want to avoid drastically changing the ratio of your overall balances to your overall available credit. Example: You owe a total of $2,000 on four credit cards, each with a $2,000 limit. Your total limit is $8,000, of which your balance ($2,000) is 25%. If you transfer all your balances to two cards and cancel the other two, your total credit limit is reduced to $4,000 and your $2,000 balance is now 50% of the limit. To the banks, this looks worse than where you started.And what if you have a really questionable credit history?

Open a few new credit accounts, use them responsibly, and pay them off on time. Payment history is 35% of your credit score (new credit makes up 10%; types of credit in use, another 10%; length of credit history, 15%; and amounts owed, 30%), so if you’ve hurt your credit, establishing a good payment history is key to getting your credit score back together. However if you have a short credit history (you’ve never had credit or haven’t used much credit in the past), don’t open a lot of new accounts over a short time period. The banks will think you’re about to go on a spending binge, and new credit is 10% of your score.

How long will it take to improve my credit score? Negative items affect your credit score much more quickly than positive items. Late payments will have a negative impact in just a few months, whereas paying bills on time may take 6 to 12 months to generate a significant improvement. But it’s important to remember that starting right now gets you closer. And remember, a great credit score makes other good things happen. You can qualify for a mortgage, get better rates from the credit cards you do have, and a great score can help with apartment rental and job applications that often include credit checks. Plus, you’ll have the peace of mind of knowing that you conquered the credit demon.

Finally, if this is all too daunting and your bills are mounting and you are having trouble making ends meet, contact your creditors or see a legitimate credit counselor. The key is not to shut down, or pretend a problem doesn’t exist. Remember that you are a resilient creative person, and can use your creative skills to build your way forward through the challenges. Learn from past mistakes—and change them.

As artists we’re skilled at making a lot happen with little money. Let’s use that skill to shape our lives and our work. Let’s use the recession to determine what we want our future to be like—recognizing that with hard work this difficult economic moment will pass both for our country and for us.

Esther Robinson has worked on behalf of America’s artists for more than 14 years in many capacities, including foundation program officer, television and film producer/director, technology entrepreneur, and arts activist. She is the founder of ArtHome a nonprofit “change agent” that helps artists and their communities build assets and equity through financial literacy, credit access, and home ownership. Robinson is also a filmmaker. Her prize-winning film, A Walk into the Sea: Danny Williams and The Warhol Factory, is currently in worldwide release.

teaching the arts

* Associate Professor/Professor in Art (Visual or Performing) and Head of School
University of Tasmania (Australia)
(date posted: 5/25/2009)
http://chronicle.com/jobs/id.php?id=0000600365-01&pg=e

* Assistant Professor
University of California at Los Angeles (California)
(date posted: 5/28/2009)
http://chronicle.com/jobs/id.php?id=0000601007-01&pg=e

* Technical Director
Ursinus College (Pennsylvania)
(date posted: 5/25/2009)
http://chronicle.com/jobs/id.php?id=0000600103-01&pg=e

May 29, 2009

grants

Mississippi Arts Commission Announces Arts Reinvestment Indicative to Preserve Jobs

Funded by the American Recovery and Reinvestment Act, the new program will provide grants of up to $25,000 each to nonprofits and government agencies working to sustain arts-related jobs vulnerable to the economic downturn.... Posted on May 28, 2009

Deadline: July 10, 2009

Global Film Initiative Accepting Applications for Summer 2009 Feature-Film Production Grants

Grants of up to $10,000 each will be awarded to accomplished filmmakers from Latin America, the Caribbean, Africa, the Middle East, Asia, and Oceania.... Posted on May 28, 2009

Deadline: July 15, 2009

National Endowment for the Humanities Invites Nominations for Jefferson Lecture

A $10,000 honorarium will be given to an individual who has produced outstanding scholarly work in the humanities; he or she will deliver the Jefferson Lecture before a broad general audience.... Posted on May 27, 2009

Deadline: June 24, 2009

Louisiana Cultural Economy Foundation Accepting Applications for 2009 Round Two Economic Opportunity Fund Grants

Grants will be awarded to Louisiana cultural economy workers, businesses, and nonprofit organizations working to increase income or revenue through a specific, unique economic development opportunity.... Posted on May 27, 2009

Deadline: July 6, 2009

Writing Competition Invites Native Americans to Share Insights on Economy

Six awards of $10,000 each will be given to Alaska Native, Native Hawaiian, and American Indian individuals who have written essays depicting the challenges and opportunities they face in the current political and economic climate.... Posted on May 23, 2009

Deadline: September 15, 2009

May 22, 2009

grants

Film Independent Accepting Applications for Sloan Foundation Producers Grant

The $25,000 development grant will fund the production and distribution of a screenplay with a scientific, mathematical, and/or technological theme or storyline; independent film producers may apply....Posted on May 22, 2009

Deadline: July 6, 2009

California Arts Council Offers Funding for Music Performances

A matching grant of up to $15,000 will be awarded to presenting organizations providing discounted or free music performances to California's underserved, rural, and/or inner-city populations....Posted on May 22, 2009

Deadline: July 1, 2009

New England Foundation for the Arts Offers American Recovery and Reinvestment Act Funding

Grants will be awarded to help Connecticut and Rhode Island nonprofits support planned public art projects that have been affected by the economic downturn...Posted on May 21, 2009

Deadline: July 1, 2009 (Concept Letters)

May 21, 2009

Call for Entries: 24th Annual Imagen Awards


The Imagen Foundation seeks to recognize and reward positive portrayals of Latinos in all forms of media, as well as to encourage and recognize the achievements of Latinos in the entertainment and communications industries. In keeping with its mission, The Imagen Foundation cordially invites all members of the entertainment and communications industries to participate in the 24th Annual Imagen Awards Competition.

Deadline for submissions: June 1, 2009

For more information on qualifications and categories, and to submit an entry for the 24th Annual Imagen Awards, please visit: http://www.imagen.org/

Winners will be announced at the 24th Annual Imagen Awards Gala on Sunday, August 23, 2009, at the Beverly Hilton Hotel in Beverly Hills, California.

The Imagen Foundation works to create, promote, and enhance opportunities for all Latinos in front of and behind the camera and throughout the entertainment industry, and serves as a liaison between the industry and the Latino community by providing access, education and resources.

May 20, 2009

Haig P. Manoogian Screenings



June 2, 5:00 PM, 6:30 PM & 8:00 PM:

Haig P. Manoogian Screenings,
Directors Guild of America
7920 Sunset Blvd.
(West Hollywood, CA)

Presented by the NYU Tisch School of the Arts, Maurice Kanbar Institute of Film and Television, this is the annual screenings of Graduate & Undergraduate Wasserman / King Finalists and Graduate & Undergraduate Wasserman & King Winners.

Click here for schedule.

A reception follows the last screening, along with audience choice awards. No reservations necessary. Admissions and parking are free.

the artist's journey

May 18, 2009

grants

Tournées Festival Offers Grants to Bring Contemporary French Cinema to U.S. College Campuses

Grants of up to $2,300 will be given to American universities or colleges conducting a French cinema festival featuring at least five different films....Posted on May 13, 2009

Deadline: June 30, 2009 and October 1, 2009

Mid Atlantic Arts Foundation Announces New Technology Funding Program for Jazz

Grants of up to $75,000 each will be awarded to jazz musicians and nonprofits using technology to develop audience, communications, marketing, distribution channels, and networking for jazz performance....Posted on May 13, 2009

Deadline: July 6, 2009 (Round I); and July 1, 2010 (Round II)

teaching the arts

* Assistant Professor of Music History and World Music
North Georgia College & State University (Georgia)
(date posted: 5/13/2009)
http://chronicle.com/jobs/id.php?id=0000600044-01&pg=e

* Theater Instructor
Northeast Higher Education District (Minnesota)
(date posted: 5/11/2009)
http://chronicle.com/jobs/id.php?id=0000599242-01&pg=e

* Instructor/Assistant Professor of Voice: Tenor/Baritone
Northern State University (South Dakota)
(date posted: 5/12/2009)
http://chronicle.com/jobs/id.php?id=0000599965-01&pg=e

May 09, 2009

teaching the arts

* Visiting Assistant Professor, Creative Writing
University of California at Riverside (California)
(date posted: 5/4/2009)
http://chronicle.com/jobs/id.php?id=0000598854-01&pg=e

* Assistant/Associate Professor of Design (Scenic/Lighting Design)
Missouri Valley College (Missouri)
(date posted: 5/4/2009)
http://chronicle.com/jobs/id.php?id=0000599281-01&pg=e

* Assistant Professor, Theater Department
Hunter College, CUNY (New York)
(date posted: 5/4/2009)
http://chronicle.com/jobs/id.php?id=0000598844-01&pg=e

May 08, 2009

doc screening

The UCLA School of Theater, Film and Television, Melnitz Movies, and The International Documentary Association

A Documentary Salon Screening

VISIONS OF THE REAL:
a collection of UCLA student works

Introduction by Dean Robert Rosen
Honoring Alumnus and Filmmaker Joan Churchill

“Frozen Dreams” Dir. Xochitl Dorsey
“The Unbearable Likeness of Moving” Dir. Martin Kisselov
“Wish Tree” Dir. Esther Shubinski
“May I Please Speak to Vartan” Dir. Alex Jablonski
“Border State Park” Dir. Gabriel Boguez
“Elegy” Dir. Kristina Malsberger
“One Winter in China” Dir. Victoria Meng
“Movement” Dir. Alex O’Flinn and Mikiko Sasaki
“My Big Fat Gay Family” Dir. Dana Block
“Vulgar Knowledge” Dir. David Kelly
“Water Under the Bridge” Dir. Rebecca Chambers
“Lochlann Jr. Had a Brother” Dir. Lochlann Dey

Wednesday May 13th, 2009 @ 7:30 PM
Reception to follow.

UCLA James Bridges Theater

This event is free and open to the public.

The James Bridges Theater is located in Melnitz Hall at the northeast corner of UCLA's campus
(Nearest cross streets are Sunset and Hilgard in Westwood.) $9 parking in Lot #3

grants

Alliance for California Traditional Arts Invites Applications for Living Cultures Grants Program

Grants of up to $7,500 each will be awarded to nonprofits and tribal organizations working to preserve folk and traditional arts representing California groups sharing a common heritage, language, religion, occupation, or region....

CLICK ON LINK FOR MORE INFO.

Posted on May 2, 2009
Deadline: August 1, 2009

Dart Center for Journalism & Trauma Invites Applications for 2009 Ochberg Fellowship

The fellowship will provide six or more mid-career journalists with an expense-paid trip to a two-day seminar designed to improve their coverage of violent events....

Posted on May 7, 2009
Deadline: July 24, 2009

CLICK ON LINK FOR MORE INFO

May 07, 2009

How Cissy Grew staged reading at FesivALL in Charleston, WV

“How Cissy Grew” by Susan Johnston (staged reading)
Event Details

Date/Time:
Monday, June 22, 2009 8:00 pm

Buy Tickets:
http://www.theClayCenter.org

Sponsors:
Greater Kanawha Valley Foundation
Architectural Products
Corbett, Inc
InterfaceFlor Commercial

Charleston High grad, Susan Johnston, was honored last April in front of an overflow crowd of 700 raucous theatergoers, creators and fans at the 30th annual L.A. Weekly Theater Awards. Miss Johnston was recognized for her play, “How Cissy Grew”, which had its world premiere run at The El Portal Forum Theatre from October to November 2008 starring James Denton of Desperate Housewives, Erin J. O’Brien, Liz Vital and Stewart Calhoun who was also nominated by LA Weekly for Best Supporting Male Performance for his role as “The Guy”. All of these actors, as well as the original director and Ms. Johnston will be here for a staged reading of the play.

“How Cissy Grew” tracks the implosion of a West Virginia family over the twenty years following their baby’s mysterious and brief abduction. Best known for her plays, Old Woman Flying and One Girl Drummer, Miss Johnston’s work has been produced and/or read at Mill Mountain, City Lights Youth Theatre, The Jungle, Centenary Stage, The O’Neill, The Peter Norton Space, The Lark, The Echo, Manhattan Theatre Space, NADA, La MaMa, Provincetown Playhouse, etc. She is a six-time published playwright who completed her MFA in Dramatic Writing at NYU’s Tisch School of the Arts, and has received a number of grants and fellowships, including a Jerome and a nomination for a Fulbright. She has worked as a film industry reporter for Interview magazine and an interstitial writer for A&E’s Biography series. Her first novel, Party Favors, is on shelves now. In May, Miss Johnston was honored by NYU with a Meritorious Alumni Service Award for her work helping to establish alumni programs on both the West and East coasts.

The play was critically hailed from the offset. The LA Times called the play “absorbing” and said, “Johnston’s monologues for the guilt-stricken Butch, beautifully underplayed by Denton, are the show’s highlights.” Daily Variety said, “Susan Johnston examines the jagged shards of a dysfunctional family's sorrowful history, offering compelling glimpses into the aftermath of a horrific event.”

"Compelling glimpses into the aftermath of a horrific event." —Variety

"Piercingly painful and beautifully wrought." —LA Weekly

"70 searing minutes." —LA Daily News

"Spellbinding and seductive." —Theatermania.com

Cost: $19 (festival seating)

Link: http://www.festivallcharleston.com/event/%E2%80%9Chow-cissy-grew%E2%80%9D-susan-johnston-staged-reading

Location

Clay Center on stage (Enter through Walker Theatre entrance)
One Clay Square
Charleston, WV, 25301
(304) 561-3570

April 29, 2009

GRANTS FOR ARTS WRITERS

Online application form opens — Monday, April 27, 2009
Application Deadline — Monday, June 8, 2009

www.artswriters.org

The Creative Capital Warhol Foundation Arts Writers Grant Program supports individual writers whose work addresses contemporary visual art through grants ranging from 3,000 to 50,000 USD.

Writers who meet the program’s eligibility requirements are invited to apply in the following categories:

articles

blogs

books

new and alternative media

short-form writing

We regret that due to legal constraints we can only fund U.S. citizens, permanent residents, and holders of O-1 visas. For guidelines and additional eligibility requirements, please visit www.artswriters.org.

ART WRITING WORKSHOP

The Arts Writers Grant Program is pleased to announce a new writing workshop offered in partnership with the International Association of Art Critics/USA Chapter. For more information, please visit www.aicausa.org

April 17, 2009

IDA Panel at Digital Hollywood's 1st Content Summit!

International Documentary Assocation presents:

How to Grow your own Audience: Alternative Methods of Distribution and Marketing for Documentary Films

Tuesday, May 5 - 2:00 PM – 3:15 PM

Venue info:
The Loews Santa Monica Beach Hotel
1700 Ocean Avenue
Santa Monica, CA 90401

Moderator: Eddie Schmidt, President of the board, IDA
Speakers: Adam Chapnick, President, DocWorkers; Scott Hamilton Kennedy, Writer/Director, The Garden; Rick Allen, CEO, SnagFilms; Peter Yared, CEO, iWidgets; Steve Savage, Co-principal, New Video

The IDA is giving away 2 Free Day-passes! Be the first to email: maria@documentary.org with the subject "Free Digital Hollywood Spring Pass".

The Creation of a new event at DH, The Digital Hollywood Content Summit. We're bringing the world of content creators into the fold of digital production, marketing and technology. A series of panels on Tuesday, May 5 takes the audience through the creative process.

Including: Keynote Conversation: Tim Kring, creator of Heroes in conversation with Brian Seth Hurst, CEO, The Opportunity Management Company

The Amazine Line-Up:
David Gale, SVP New Media, MTV Networks; Danila Koverman, Director, HBOlab at HBO; Alexis Rapo, Vice President, ABC Digital Media; John Gilles, Vice President Media & Entertainment, Method; Suzanne Stefanac, Director, AFI Digital Content Lab; David Norton, VP Brand Integration, Ladder Up Media; Mark Vega, Partner/IP Steward, Omelet; Josh Bycel, Co-Executive Producer, Psych (USA Network); Adam Armus, Co-Executive Producer, Heroes (NBC); Jacob Rosenberg, CTO Bandito Brothers; Laura Nix, Director/Producer, Felt Films; John Hamburg, Writer/Director, I Love You Man & Along Came Polly; Adam Drucker,Casting Producer, A&E’s Intervention, Amazing Race; Scott B, Director / Cinematographer, Vortex, LA Coroner; Eva Orner, Academy Award winning producer, Taxi to the Dark Side; Jeffrey Tuchman, Emmy & Peabody Award winning filmmaker, Jamison Tilsner, Co-founder, The Streamy Awards; Adam Chapnick,President, DocWorkers; Scott Hamilton Kennedy, Writer/Director, The Garden; Rick Allen, CEO, SnagFilms; Peter Yared, CEO, iWidgets; Steve Savage, Co-principal, New Video; Eddie Schmidt, President of the board, IDA; Dave Vamos, Founder, Six Point Harness Studios; Aaron Simpson, Founder, Cold Hard Flash, Lineboil.com; Jorge Gutierrez, Creator “El Tigre,” Nickelodeon; John Andrews, SVP, Klasky Csupo, ka-chew!; Antranig Manoogian, President, ASIFA Hollywood;Glasgow Phillips, Writer, South Park, Kung Fu Panda; Micki Krimmel, Founder Sugar Packet, Inc, Mickipedia.com; Robert Bahar, Filmmaker, Made in LA; Melissa Fitzgerald, Actor & Filmaker, The West Wing, Voices of Uganda; Marc Morgenstern, Executive Director, Declare Yourself; Juan Devis, Director of Production, KCET New Media; Charles Annenberg Weingar! ten, Founder, Explore.com; Brian Sirgutz, President, Causecast

Click HERE for full agenda:
http://www.digitalhollywood.com/09DHSpring/DH09Sp-HollywoodSummit.html

Click HERE for discount registration:
http://www.digitalhollywood.com/DigitalHollywoodReg.html

Dicsount Code: Affiliate Discount

Summit Pricing:
$135 regular, $95 for IDA members (Tuesday, May 5th Only)
Digital Hollywood Pass - Full - 4 Day Pass - Includes the Summit - $685 - Regular - $585 for IDA Members

CALL FOR ENTRIES

12th UNITED NATIONS ASSOCIATION FILM FESTIVAL (UNAFF)

October 17-25, 2009 Palo Alto, East Palo Alto, San Francisco and Stanford University -celebrates the power of international documentary films and videos dealing with human rights issues, environmental themes, protection of refugees, famine, homelessness, racism, disease control, women's issues, children, universal education, war and peace. Celebrating the Universal Declaration of Human Rights, we have chosen the theme:

ENERGY & THE WORLD
Formats: 16mm and 35mm film; Beta SP, DVD (NTSC)

Preview: on 1/2" VHS (PAL/NTSC), DVD (NTSC region 0 or 1)
All lengths are eligible
Entry fee: $25 for films up to 30 min. (late deadline $35) and $35 for films longer than 30 min. (late deadline is $45)

Please send a check or money order payable to UNAFF or use PayPal using UNAFF web site www.unaff.org

Early Deadline – May 25, 2009
Regular Deadline - JUNE 1, 2009
Late deadline - June 9, 2009

THE ENTRY FORM: Print from www.unaff.org or www.withoutabox.com

Awards: • UNAFF Grand Jury Award for Best Long Documentary• UNAFF Grand Jury Award for Best Short Documentary• Stanford Video Award for Cinematography• Stanford Video Award for Editing

Please submit screening materials and background info to:

UNAFF 2009
Stanford University
10 Alvarado Row - CERAS/CFLP, Room 125
Stanford, CA 94305-3084

Questions or comments: Email info@unaff.org or call (650) 724-5544

April 10, 2009

grants

Libraries Invited to Apply to Host "Harry Potter's World: Renaissance Science, Magic, and Medicine" Exhibit

The exhibit explores the connections between the fictional young wizard's world and 15th- and 16th-century alchemists, naturalists, and occultists; twelve libraries will host the exhibit for four weeks.... Posted on April 10, 2009

Deadline: May 1, 2009

Native Voices Endowment Announces Request for Proposals

Grants and scholarships will be given to individuals working to document or revitalize the languages of Native American tribes that came in contact with the Lewis and Clark Expedition between 1803-1806.... Posted on April 8, 2009

Deadline: October 15, 2009

New York Community Trust's Edward and Sally Van Lier Fund Seeks Applications to Advance the Professional Development of Disadvantaged Young Artists

Grants of up to $60,000 will be awarded to New York City nonprofits working to support post-college disadvantaged adults seeking careers in the arts; the fund will not support pre-college artists in 2009.... Posted on April 8, 2009

Deadline: April 24, 2009

Theatre Communications Group and MetLife Foundation Announce A-ha! Grant Program

Grants of up to $50,000 will be awarded to TCG member theaters working to test or implement creative new approaches to artistic, managerial, production, and/or technological challenges.... Posted on April 8, 2009

Deadline: May 15, 2009

casting

Production is underway on a new one-hour series, Hollywood Builders for DIY Network. The series takes a behind-the-scenes look at set builders working on films or television shows and how they put together ambitious designs. Show producers are still looking for projects to include in the series. If interested in featuring your film or TV show project currently in pre-production or production, contact Patrick Jager at pjager@highnoontv.com.

Lifetime Television seeks outgoing brides and grooms-to-be of all ages and ethnicities for a new series that explores their relationship and gives them a chance to really get to know each other. Participating couples will have the opportunity to win cash and prizes toward a deluxe wedding and honeymoon package.

To schedule an interview, send an email to castingengagedcouples@gmail.com and include your names, information, and a brief description of your engagement (i.e. how you met, how long have you been together, why you are a good couple together, when are you getting married, etc.) as well as a recent photo. Submitted materials will become the property of the producers and will not be returned. Also, selected couples would need to available to travel to a remote location for filming up to five days.

Producers of The Real Housewives of New York City and SuperNanny are casting for a new show where teens can trade in their parents and go live with another family. Teens of all types and interests from techo-savvy to hippies, to slobs and surfers to affluent to liberal are encouraged to apply. Parents can even nominate their own teens for the show! Send an email to ZConiglio@shedmediaus.com and include the teen's name, age, phone numbers for the teen and their parents, email addresses, city and state where they live and a description of why the teen would like to live with another family and any other information regarding the teen candidate.

April 09, 2009

resources for docs

CALLS FOR ENTRIES: View More »

The International Film Festival Portugal call for entries deadline is April 20, 2009. The Chicago International Childrens Film Festival early deadline is May 1, 2009. The LA Shorts Fest final deadline for submission is May 8, 2009. The early deadline is May 25, 2009 for the 12th UNAFF.

FUNDING & OPPORTUNITIES: View More »

Pioneers of Prosperity is seeking proposal submissions from documentary filmmakers for its 2009 Caribbean competition (due: April 10). Adobe is offering two free eSeminars on April 21 and May 20. And Mitchell Block is running two doc producing workshops on April 18 and April 25.

FESTIVALS & EVENTS: View More »

The Video Festival Imperia has its 4th edition April 14-18 in Italy. Register now for NALIP 10 Conference, April 17-19 in Newport Beach, CA. April 22-24 in Frankfurt, Germany don't miss MEDIA-TECH Europe 2009. From April 30-May 5, the South East European Film Festival is happening at the Goethe Institute Los Angeles.

jobs in tv

JOB OPENING: EXP'D SHOWRUNNER with strong writing credits to oversee all creative aspects for a multi-episode doc series. Must be able to relocate for 6-8 month assignment. PRODUCERRESUMES@GMAIL.COM (4/11)

JOB OPENING: TV VIDEO PRODUCER/WRITER/Good Housekeeping Magazine/NY: 5+ yrs exp. Will be producer & head writer in charge of scripting & creative development. Send reel, writing samples & salary req to: magazineshr2@hearst.com (4/11)

JOB OPENING: GRAPHIC ARTIST/BRDCST DESIGNER/NY1 News/NYC: Design/animate on-air graphics pckgs. Create logos, build graphics Photoshop; animate After Effects. Tight deadlines. Demo reel. www.timewarnercable.com/careers 111821BR (4/10)

Casting Call

The CW's America's Next Top Model, produced by 10 by 10 Entertainment in association with Bankable Productions, is holding one final open casting call this Saturday in New York City for Cycle 13. Eligibility requirements include: females age 18 to 27 of diverse backgrounds, shapes, sizes and with a height of 5'7" and under. To confirm the exact location in NYC and registration time, visit www.cwtv.com.

April 08, 2009

teaching the arts

* Professor of Theater
Blackburn College (Illinois)
(date posted: 4/3/2009)
http://chronicle.com/jobs/id.php?id=0000597024-01&pg=e

* Assistant Professor of Theatre
Southwest Baptist University (Missouri)
(date posted: 3/31/2009)
http://chronicle.com/jobs/id.php?id=0000596651-01&pg=e

* Costume Shop Supervisor (Lecturer), Theater Department
Hunter College of the City University of New York (New York)
(date posted: 3/30/2009)
http://chronicle.com/jobs/id.php?id=0000596006-01&pg=e

* Assistant Professor of Dance
Swarthmore College (Pennsylvania)
(date posted: 3/30/2009)
http://chronicle.com/jobs/id.php?id=0000596021-01&pg=e

* Tenure Track Faculty
Alamo Community College District Central Office (Texas)
(date posted: 4/2/2009)
http://chronicle.com/jobs/id.php?id=0000596491-01&pg=e

IDA DocuWeeks™ CALL FOR ENTRIES

13th Annual DocuWeeks™ Theatrical Documentary Showcases
Los Angeles & New York City - August 2009
(Specific dates TBA, all screenings completed by August 20, 2009)

Enter Now! Earlybird Deadline: April 14, 2009

DocuWeeks™ helps to qualify outstanding new feature and short documentaries for Academy Award® consideration, by providing its participants with a seven-day commercial theatrical run in Los Angeles County and in the Borough of Manhattan. (Shorts will screen in the County of Los Angeles only, per Academy requirements.)

For complete information about Academy Awards® consideration, please see the 82nd Academy Awards Special Rules for Documentary Awards (Rule Twelve) for complete eligibility and application requirements. Read Rule Twelve here.

Each filmmaker is responsible for submitting the Academy Awards® application. IDA will provide the filmmaker with proof of advertisement, guide listings and theatrical runs for submission to the Academy prior to the Academy deadline.

To apply for IDA's DocuWeeks™ please use the online submission process at Withoutabox.com.

April 02, 2009

more photos from the big night

My neighbor Rob Thorne escorted me for the big night - Thanks Rob!

I have no idea what I actually said.

After calming down a bit and able to actually pose for a picture.

My castmembers Stewart Calhoun and Liz Vital help me celebrate.

oh my goodness gracious!


On Monday night, among a standing-room only crowd, I won LA Weekly’s 30th Annual Theatre Award for Playwriting!!!!!

The crazy thing is they forgot to say my name during the list of the nominees so when they said I was the winner, I thought they were just announcing me as a nominee so I didn't get up!!! Everyone was jumping up and down and screaming at me to go up to the stage!!!! I was so confused. And then the spotlight hit me and I completely freaked out.
See photo above of me completely freaking out - enjoy!

I truly have no idea what I said in front of that microphone so let me say it now –

Thanks to Casey Stangl and John Spokes, Jamie Denton and Erin J. O’Brien and Victor Williams for believing in HOW CISSY GREW and making the production happen. Thanks to Jamie, Erin, Liz Vital and Stewart Calhoun (YOU WERE ROBBED!!!) for bringing the characters to life. Thanks to every member of our crew and marketing team who built and sold an absolutely gorgeous production that rivaled any regional!!!

Thanks to The MacDowell, The Echo Theatre, The NYU Grad Actors Collective, NYU Writer’s Lab West, The Tisch West Alumni Council, The Wednesday Ladies, SeaGlass Theatre, The El Portal, C. Josephine Hagerty, Nick Mills, Betsy Reisz, Ned Menoyo, Megan McNulty, Michael Goldenberg, Julia Cho, David Rock, Maura Teitelbaum and Abrams Artists Agency.

MUCH LOVE TO ALL OF OUR FANS – I WISH YOU ALL COULD HAVE BEEN THERE TO HELP ME CELEBRATE.

NEXT STOP – THE OSCARS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

30th Annual LA Weekly Theatre Awards


The 30th Annual L.A. Weekly Theater Awards
Actors and chickens and bears, oh, my!

By Steven Leigh Morris
Published on April 01, 2009 at 9:41pm

View more photos in the 30th annual L.A. Weekly Theater Awards slideshow.

Dancing girls and impersonators joined co-hosts Jake Broder and Vanessa Claire Smith to transform the El Rey Theatre into the stage of Las Vegas’ Sahara Hotel, 1958, for the 30th annual L.A. Weekly Theater Awards on Monday night. Reprising their roles as lounge crooners Louis Prima and Keely Smith in their hit show Louis & Keely: Live at the Sahara (now at the Geffen Playhouse), Broder and Smith were supported by their production’s six-piece jazz band and a gallery of supporting players from Sacred Fools Theater Company. That show walked away with the Musical of the Year Award in a very tight vote with some very heady competition from Joe’s Garage at Open Fist Theatre Company and Lovelace: A Rock Opera at the Hayworth. For much of the evening, the raucous, overflow crowd of 700 treated the excellent production, nicely paced by director Jeremy Aldridge, as a backdrop to their drinking and socializing.

From the stage, Queen of the Angels recipient Frédérique Michel repeatedly told the revelers to shut up. The only performer who could command some silence was Gwendolyn the chicken, who appeared contentedly on the arm of Center Theatre Group artistic director Michael Ritchie, as he gave a mock, somber homage to our hard times, adding that he always wanted to appear onstage with his pecker in his hand.

(Gwendolyn had been eating birdseed for a solid hour before her performance, and Ritchie was hoping that she would complement his performance by unloading during the act, but the bird was too well brought-up for such low comedy.)

Adding to the Dada were the artistic directors of the Colony Theatre and Geffen Playhouse, Barbara Beckley and Gil Cates, who performed a duet of “Under My Skin,” to which the Los Angeles Stage Alliance’s executive director Terence McFarland performed a spirited interpretive dance.

County Supervisor Zev Yaraslovksy’s keynote address acknowledged that the smaller theaters (the purview of the Weekly’s Theater Awards) are where the future of the theater lies, and Career Achievement recipient Dakin Matthews appeared digitally from Singapore, where he’s performing with an international company, directed by Sam Mendes. (Matthews’ fellow cast members Simon Russell Beale, Sinead Cusack, Ethan Hawke, Roger Bean, Paul Jesson, Richard Easton, and Rebecca Hall also sent their greetings to L.A. from Southeast Asia.) Matthews closed his video with a nod to Shakespeare’s most famous stage direction — “Exit, pursued by a bear” _ for Antigonus, whom Matthews is currently playing in The Winter’s Tale. As Matthews spoke, a large bear head entered the scene.

AND THE RECIPIENT OF THE 2009 L.A. WEEKLY THEATER AWARDS ARE ...

PLAY WRITING
*Susan Johnston, How Cissy Grew, El Portal Forum Theatre
For more information about other winners and links to the slideshow:


life and food coaching by susan marque

New Day - New Built For Your Budget Class

http://www.susanmarque.com/4weeksforyou

Join the fun now on Tuesday nights! (or Wednesday morning if you are in Australia's time zone.) Built For Your Budget gets you 4 times as much time for your money with inspirational coaching to get you where you want to be.

Sign up now at http://www.susanmarque.com/4weeksforyou
the new session starts April 7th at 6pm (Pacific time)

You might even want to let me know ahead of time what you would like to work on in particular.

Would you like to let go of that last 10lbs.?
Would you like to know what foods will give you incredible energy or what foods can unknowingly drain you?
Would you like to find ways to make cooking go quicker?
Do you need travel food tips to stay slender, well and happy?
Would you like to improve the quality of your relationships?
How would a happier work situation be for you?
What is your current environment that you are living in and what might be better?

You can be living a higher quality of life no matter what your economic status.

Let's begin and start creating magic and miracles in every day!

Join us http://www.susanmarque.com/4weeksforyou and tell your friends!!

Enrollment is very limited so please sign up right now! I look forward to talking with you soon!!!

Susan
Food & Life Coach Susan Marque
www.susanmarque.com

playwriting class in nyc

Voice & Vision

is pleased to offer
a six-week playwriting class with playwright

Karen Hartman

• Personal Dramatic Structure •

A vibrant, practical approach to shaping creative ideas without diminishing their fire. Using Karen's own approach to structure (developed while teaching at the Yale School of Drama), we will identify signposts and tools that give muscle and clarity to works in progress. The course emphasizes a personal approach to storytelling that resonates for the writer AND satisfies an audience. The special weekly-plus-weekend format allows each writer to develop writing throughout the month, while leaving plenty of time to present work at the end of the session.

Class feedback and generous individual attention will support artists at all levels, at any stage of a project.

Dates:
Tuesdays, April 14th- May 5th from 7pm-9pm and
Saturday and Sunday, May 9th and 10th from 11am-3pm
at ART/New York- 520 Eighth Avenue (between 36th and 37th Streets)

Tuition: $425

Register Now!

Call the Voice & Vision office at 212-268-3717 or email Abigail Katz at akatz@vandv.org

Karen Hartman has taught playwriting for years at the Yale School of Drama, Yale University, Bennington College, and other universities and New York theaters. She is the author of Gum, Leah's Train, Goliath (Dorothy Silver New Play Prize), Going Gone (N.E.A. New Play Grant); Anatomy 1968; Girl Under Grain (Best Drama in NY Fringe; ALICE: Tales of a Curious Girl (Music by Gina Leishman, AT&T Onstage Award); Troy Women; Donna Wants, Goldie, Max, and Milk; Sea Change, a musical with AnnMarie Milazzo, and MotherBone, an opera with Graham Reynolds. Her plays have been performed in New York at the Women's Project, NAATCO, P73, the NY Fringe, and Summer Play Festival, and at regional theaters including Center Stage, Cincinnati Playhouse, the Magic Theater, Dallas Theater Center, and elsewhere. She has received new play commissions from ACT in San Francisco, McCarter Theater, La Jolla Playhouse, South Coast Repertory, and others. Her work is published by Theater Communications Group, Dramatists Play Service, Playscripts, Backstage Books, and NoPassport Press. An alumna of New Dramatists and Yale (B.A., M.F.A.), Karen has received playwriting support from Rockefeller Foundation at Bellagio, the N.E.A., the Helen Merrill Foundation, a Daryl Roth "Creative Spirit" Award, a Hodder Fellowship, a Jerome Fellowship, a Fulbright Scholarship to Jerusalem, and Core Membership at the Playwrights Center.

doc screening in la

The UCLA School of Theater, Film and Television, Melnitz Movies, and The International Documentary Association

A Documentary Salon Screening

THE PIXAR STORY
a film by Leslie IWERKS

In the mid 1980’s, three men united together to follow a dream: Ed Catmull, John Lasseter and Steve Jobs pushed beyond the boundaries of what was known in the world of art and science to form Pixar Animation Studios. In 1995, their Academy Award® winning computer animated film, Toy Story, launched an entirely new animation industry, and their ensuing films have entertained millions of people worldwide. Yet over the last twenty years, Pixar’s dramatic rise has often been one of struggle, belief and sheer commitment as they forged their way into an unknown medium. The result has been a serendipitous blend of art, science, business acumen, and extraordinary vision and talent. Through never before seen archival footage, candid interviews, and visually stunning art and animation, Oscar® and Emmy® nominated director Leslie Iwerks takes us inside the fascinating and unique world of Pixar Animation Studios.


Tuesday, April 7, 2009 @ 7:30 PM

Q & A with Leslie IWERKS.

UCLA James Bridges Theater

This event is free and open to the public.

The James Bridges Theater is located in Melnitz Hall at the northeast corner of
UCLA's campus

(Nearest cross streets are Sunset and Hilgard in Westwood.) $9 parking in Lot #3

playwrights panel in nyc

Romanian Cultural Institute New York in collaboration with the Lark present...

B a c k / g r o u n d s T o D r a m a t i c W r i t i n g
a FREE panel discussion with Romanian writers

Ioana Ieronim, Mihaela Michailov, Andreea Valean

moderated by playwright
Saviana Stanescu

Thursday, April 9 @7:30pm

Join us for a discussion on their unique paths towards playwriting:

Ioana Ieronim - poetry to diplomacy to playwriting
Mihaela Michailov - philology to theatre criticism to playwriting
Andreea Valean - from sociology to directing to playwriting to screenwriting

Illustrated with video clips and photos from productions.

A Q&A session will follow the panel.

For more information: www.icrny.org

Location:

RCINY - THE AUDITORIUM
200 East 38th Street
New York, NY 10016
(at 3rd Avenue)
212-687-0180

Subways:
4, 5, 6, 7, S to Grand Central - 42nd