Showing posts with label international. Show all posts
Showing posts with label international. Show all posts

July 29, 2010

teaching the arts

A bunch of teaching jobs and higher ed opps for artists - click on the title above for more information but the most recent listings include:

Assistant/Associate Professor of Speech & Theatre

Albany State University (Georgia)
(date posted: 07/28/2010)

Head of School, School of Arts
University of New England (Australia)
(date posted: 07/28/2010)

Director
Millersville University of Pennsylvania (Pennsylvania)
(date posted: 07/26/2010)

Costume Shop Supervisor/Instructor of Theatre
Morehead State University (Kentucky)
(date posted: 07/26/2010)

Chair - Theatre Arts Program, Centre for the Arts and Communications
Grant MacEwan University (Canada)
(date posted: 07/21/2010)

January 21, 2010

teaching the arts

Assistant Professor: Costume Design, Costume Techology, Makeup
University of Hawaii at Manoa (Hawaii)
(date posted: 01/19/2010)

Administrator/Dean
Wilkes University (Pennsylvania)
(date posted: 01/19/2010)

Yong Siew Toh Conservatory of Music
National University of Singapore (**Not in the US)
(date posted: 01/18/2010)

Assistant Professor of Musical Theatre Voice/Acting
University of Northern Colorado (Colorado)
(date posted: 01/16/2010)

Multiple Listings
Palomar College (California)
(date posted: 01/15/2010)

September 22, 2009

International Conference

"Performing Arts Training Today"

is inviting performers, teachers and students to the programme of practical workshops, performances, works-in-progress and presentations with performing arts experts from Russia, Singapore, Japan, Austria, UK and USA!

October 28-31, 2009
Retzhof Castle
Leitring/Leibnitz, Austria

The conference is a good chance to explore contemporary methods and techniques in performing arts education and training, to establish new contacts, to exchange experiences with colleagues from different countries and to lay the foundation for future networking and collaboration!

The conference will take place in the "Green Heart" of Austria - Styria Region (Steiermark), at the historic castle of the 15th century - about 30 min from Graz Thalerhof Airport, 2.5h from Vienna by car, 40 min from Graz by car. Accommodation and meals are organized for the group.

Programme:

- Japanese Noh and Suzuki techniques - Workshop and presentation by Izumi Ashizawa - actress, director, artistic director of Izumi Ashizawa Performance, Assistant Professor of Acting and Movement, University of Maryland (Japan).

- Performer's Physicality in the Methods of V.Meyerhold, M.Chekhov and K. Stanislavsky - Workshop with Sergei Ostrenko - theatre director and teacher (Russia).

- A Journey of Separation: Actor Training in Ireland - Presentation with Janice Kennedy - performing arts educator and teacher (UK).

- The Change We Should Be Making - creating a better future through the arts - Presentation with Adelina Ong - actor, performer, performing arts manager and educator (Singapore).

- Teaching Avant-Garde Piano Techniques and the New Expressive, Sonorous, Artistic, and Performance Elements they Introduce - Lecture-demonstration with elements of performance with Mira Kruja - musician, music scholar, performer and teacher (USA).

- In the cage - Work-in-progress - dance performance with Doris Hintsteiner - dancer, choreographer and teacher (Austria).

Please follow the news of the programme! The list of confirmed events is being updated regularly.

General information: http://www.iugte.com/projects/PerformingArts.php
Registration of participants: http://www.iugte.com/projects/conf.reg.php
Venue & accommodation: http://www.iugte.com/projects/leibnitz.php

August 31, 2009

International Physical Theatre Laboratory

Date & Time: 2009-10-25 5:00 PM
Location:

International Physical Theatre Laboratory
http://www.iugte.com/projects/PhysicalTheatre.php

October 25-31, 2009
Leitring bei Leibnitz, Austria

PARTICIPANTS:
Actors of physical, dramatic, dance and musical theatres, dancers, choreographers, circus performers, directors.

PROGRAMME:
The programme includes intensive training, lectures and discussions. The Lab is open to performers from different creative genres and techniques inspired by Physical Theatre as a bold, vibrant and multidimensional approach to contemporary theatre performance. Practical physical training is the core of the Lab programme. Participants will explore physicality as the key to form, style, atmosphere and emotional palette in contemporary performance. Practical sessions develop in the form of various exercises which progress from simple to compound. Gradually the group is proceeding to group improvisations and structures. Every day is setting advanced creative tasks, developing the preceding steps. Through the system of consecutive exercises the group is growing common language and trust, ability to collaborate and create together.

STRUCTURE OF THE DAY:
Each day begins with morning warm-up which combines breathing, movement and imagination. It will help participants to wake up and to prepare for the intensive practical process during the day.

Practical training. Part I. Training by method of improvisation.
Practical training. Part II. Structural Improvisation. From exercises to performance.
Practical training. Part III. Principles of Biomechanics. Meyerhold's etudes.
Lectures & Discussions: Performer's Physicality in the methods of Meyerhold, M.Chekhov and Stanislavsky.

The working language is English.

VENUE:
The Lab will take place in Leitring bei Leibnitz, the beautiful town located within 30 min from Graz Thalerhof Airport, 2.5h from Vienna by car, 40 min from Graz by car, and 20 minutes from the Slovenian border. The public transportation to the venue is easy. The programme will take place in the historic castle of the 16th century. Accommodation and meals are organized for the group.

PROGRAMME & REGISTRATION DETAILS:
http://www.iugte.com/projects/PhysicalTheatre.php

Photo Gallery of the past events:
http://picasaweb.google.ru/globtheatre

June 11, 2009

DEADLINES

June 16

Squeaky Wheel’s four-week International Artist-in-Residence program, funded by the National Endowment for the Arts, allows mid-career film and media artists the time, space, and equipment to expand their practice and learn new technologies. Inter-media, performance, and installation artists are also welcome to apply. Residents receive accommodations, travel, and a $1,000 stipend, and have access to the center’s cameras, production and post-production systems, editing software, and found-footage library. As part of the residency, each artist curates an evening screening of films or video and teaches a local media art workshop. To apply, mail the application form, typed response to the application questions, a one-page résumé or artist bio, and one or two clearly labeled work samples; see the downloadable PDF for acceptable submission formats and full details.


June 22

The JT3 Artist Awards, a program of the Jesse Thompkins III Foundation for Young People in the Arts, provides grants to talented, hardworking filmmakers living in Brooklyn who demonstrate real potential for growth. Artists must be between the ages of 18 and 30. At least one $2,000 JT3 Artist Award will be granted, as well as one or more other awards under $2,000. To apply, submit the application form, personal essay, resume, screenplay (short or feature length), short film of no more than 10 minutes written and directed by the applicant, proof of residency, and a list of any additional completed works or works in progress to be considered as part of your body of work (note that these do not need to be limited to screenplays and films).


June 24

The Field’s Artward Bound is a 10-day group artist residency which gives participants the opportunity to make new work, participate in Fieldwork (the Field’s mixed discipline workshops program), and focus on personal career development. This program is open to artists who create original work in dance, music, performance art, text, and theater. To be eligible, applicants must be members of the Field; based in the greater New York City area or be a Field Network administrator, facilitator, or program participant; have worked professionally for a minimum of three years; and have publicly presented at least 60 minutes of original material. The program is free, including lodging, meals, and transportation from New York City. To apply, complete the application with your personal information, work history, and production history, and submit by email by the deadline date. For full details, see the website or download the PDF Application Form.


June 26

NYFA’s statewide Fellowships Program is seeking designs for a poster and postcard to promote next year’s competition. The winner will receive $500 and have his/her design used on NYFA’s Fellowships materials; second- and third-place winners receive $300 and $100 each. Submissions must include two separate layouts, one for the poster (11 x 14 inches) and one for the postcard (4 x 6 inches), as well as the necessary Fellowships text. To apply, send an email by 5 p.m. on the deadline date with your name, address, phone number, and two JPEG attachments of your designs to contest@nyfa.org. Images should have a resolution of 72 dpi with maximum dimensions 700 x 700 pixels and maximum size 2 MB. Members of NYFA’s Staff, Board of Trustees, and Artists’ Advisory Committee are ineligible to apply. For further details, and the full text to include with each design, see here.


June 26

The annual frieze Writer’s Prize is an international award for discovering and promoting new writers in the field of arts criticism. Entrants should be emerging critics, with a maximum of three pieces on art having been published in any national or regional newspaper or magazine (previous online publication, however, is permitted). The winner receives ₤2000 and will be commissioned to write a review for the October issue of frieze magazine. To apply, submit by email one previously unpublished review of a recent contemporary art exhibition, approximately 700 words in length. The judges of this year’s award are critic and art historian James Elkins, novelist and critic Ali Smith, and coeditor of frieze magazine Jennifer Higgie.


July 1

A.I.R. Gallery, a nonprofit gallery space advocating for women in the visual arts since 1972, invites artists working in all media to submit artwork to be considered for its fall 2009 exhibition “Mother/mother.” Curator Jennifer Wrobleski is seeking work (by women and men) made during a pregnancy or within five years of the birth of the artist’s child. Submissions need not be specifically about parenting or childbirth, though the curator is particularly interested in work resulting from changes in artistic processes or new thematic concerns that arise out of pregnancy. Proposals must be postmarked or hand delivered to the gallery on or before July 1, 2009 at 6 p.m., and online submissions must be received on July 1 by 11 p.m.. A downloadable application is available here.


July 3

Obscureterrain is seeking artists, performers, and community members to participate in a multi-rooftop spectacle of performances and events on Saturday, October 17, 2009 from 2-7 p.m. Taking place in Gowanus, Brooklyn, on rooftops along the F train where it emerges from underground at 4th Avenue and descends at Carroll Street, this happening invites participants to harness the subway commute as an opportunity to lift fantasies and potentials out of the mundane, and invent/imagine alternative modalities for transforming the urban landscape. Submit a brief description (no more than 250 words) of the project you would like to contribute, including your name, phone number, and email address to: obscureterrain@dtek.net. You do not have to secure a roof prior to your submission.


July 15

Supporting Women Artists Project (SWAP), a nonprofit organization whose mission is preparing the next generation of women artists for successful and fruitful careers, offers a year-long Residency and Mentor opportunity to women artists. Free studio space is provided in exchange for mentoring and teaching art classes to NYC public school girls at the elementary, middle, and high school levels. The weekly commitment is two hours per week, as well as two enrichment programs per semester, which might include a gallery visit or a lecture. (Note that applicants must have prior experience with young people) More information and an application is available here.


July 15

The Experimental Television Center’s Artists in Residency Program of Oswego, NY, provides artists with time and space to create new work which approach media as a contemporary electronic and cinematic form. The self-directed environment also offers personalized instruction, access to the media library, and use of a unique imaging system. Artists have unlimited access to the studio during their stay, and are encouraged to explore the boundaries and intersections within narrative, documentary, and social-issue traditions as well as experimental forms. To apply, send a brief project description, a current bio or résumé, a prioritized set of dates for attending the residency between September 1, 2009 and January 31, 2010, and a sample of completed work. More information and an application are available at on the ETC website.


Ongoing NYFA is launching a new program, an affordable workspace opportunity to NYFA-affiliated artists and organizations. The program provides a desk station and office amenities in NYFA’s air-conditioned DUMBO offices, and is open to past and current NYFA fellows, SOS and BUILD recipients, Immigrant Artist Mentors and Mentees, and currently fiscally sponsored artists and emerging organizations (contract fees up-to-date). Program participants pay a discounted rate of $200 a month, and receive a private workstation in the NYFA space, high-speed wireless Internet access, meeting space available by appointment, free and discounted printing and copying rates, access to NYFA’s in-house library of art resources and publications, and a fully equipped kitchen with hot coffee, tea, and filtered water. Individual phone service is available for an additional fee. NYFA’s offices are located five minutes from the York stop on the F train in Brooklyn’s DUMBO arts district, a 10-minute ride from Manhattan. See here for pictures of the space and full details on program benefits, office hours, and submitting an application.


For thousands more deadlines and ongoing opportunities, visit NYFA Source, the most comprehensive database of programs for artists of all disciplines in the country.

June 05, 2009

grants

Mid Atlantic Arts Foundation Offers Travel Subsidies for 2009 Performing Arts Exchange

Nonprofits in the Mid Atlantic region and the U.S. Virgin Islands that have not sent representatives to the Performing Arts Exchange since 2005 can receive grants of up to $950 to cover regristration fees and travel expenses for this year's conference....

Posted on June 3, 2009
Deadline: June 30, 2009

National Endowment for the Humanities Announces Picturing America School Collaboration Projects Grant Opportunity

Grants of up to $75,000 will be awarded to collaborative projects between humanities scholars and educators to develop K-12 coursework related to American art....

Posted on June 3, 2009
Deadline: October 7, 2009

North Dakota Council on the Arts Announces Technology Grant Program

The new program will award grants of up to $600 each to North Dakota nonprofit arts organizations to support development of their Web sites, equipment purchases, and software upgrades....

Posted on June 1, 2009
Deadline: Rolling

June 02, 2009

CEI Pilot Program Call for Applications

DEPARTMENT OF CULTURAL AFFAIRS ANNOUNCES SECOND APPLICATION PROCESS FOR NEW CULTURAL EXCHANGE INTERNATIONAL PILOT PROGRAM

Los Angeles - The City of Los Angeles Department of Cultural Affairs (DCA) launched the second round of its Cultural Exchange International (CEI) Pilot Program and released the second set of guidelines for new applicants. CEI is a two-year fellowship program intended to enhance Los Angeles as a national and international center for the arts and foster cultural understandings through the expansion of networks and the exchange of knowledge between creative professionals.

CEI provides fellowship support to creative professionals (artists, arts administrators, arts/cultural educators and scholars, curators, presenters, creative entrepreneurs, cultural innovators, and cultural experts) traveling abroad for intensive residencies
(two weeks to three months), or creative professionals coming to Los Angeles for intensive residencies (also two weeks to three months), who have planned collaborative relationships with Los Angeles organizations to host their residencies. The program has been designed to support individual professionals or small groups (with a limit of three to four people per group).

In the first round of fellowship awards, 7 creative professionals, often leading teams of artists; 1 Los Angeles for-profit company; and 4 Los Angeles non-profit organizations were recommended for support with $88,000 for fellowship projects in Bolivia, Brazil, Cuba, Indonesia, Kazakhstan, Mexico, Poland, and Rwanda. All of these projects will also culminate in free public presentations in Los Angeles. An additional $12,950 is being awarded to three of these projects, which take place in Latin America, by the National Performance Network (NPN) for a total of $100,950 in funding support.

The two-year pilot program was made possible with seed funding from the City of
Los Angeles and the Durfee Foundation. The Durfee Foundation’s funding supports
Los Angeles artists traveling abroad. Funding from the National Performance Network focuses on exchanges between Los Angeles and Latin America and the Caribbean.

To date, several respected sponsor-partners have enlarged the pool of funds committed over the two-year pilot project to more than $550,000. For CEI’s second round of fellowships, partnerships have been extended to include the Foundation for International Cultural Activities (SICA) in the Netherlands, the Sacatar Foundation in Brazil, and the Trust for Mutual Understanding, which supports exchange between the United States and Russia, as well as Central and Eastern Europe.

Local creative professionals and businesses, and non-profit organizations are encouraged to find DCA’s CEI Program Grant Guidelines online at:

http://www.culturela.org/grants/CEI/CEI_Application_052109_wforms.pdf

The postmarked deadline for submission of all application materials is Friday, June 26, 2009. An informational workshop will be held at DCA’s main office at 201 North Figueroa Street, Suite 1400, Los Angeles, CA 90012, on Monday, June 8, 2009 from 5:30 p.m. to 6:30 p.m. For more information about the CEI Pilot Program guidelines and application, please contact Joe Smoke, DCA’s Cultural Grant Program Director at:

joe.smoke@lacity.org.


About DCA:

The Department of Cultural Affairs (DCA) both generates and supports high quality arts and cultural experiences for Los Angeles residents and visitors. DCA advances the social and economic impact of the arts and assures access to arts and cultural experiences through grant making, marketing, public and community arts programming, arts education, and creating partnerships with artists and arts and cultural organizations in every community in the City of Los Angeles.

DCA grants $3.2 million annually to over 280 artists and nonprofit arts organizations and awards the Artist-in-Residence (A.I.R.) and City of Los Angeles (C.O.L.A.) Individual Artist Fellowships. The Department provides arts and cultural programming in its numerous Neighborhood Arts and Cultural Centers, theaters, and historic sites, and manages several arts and education programs for young people. It directs public art projects and manages the City’s Arts Development Fee and Percent for Arts Programs, and the Art Collection and Murals Programs. DCA markets the City’s cultural events through development and collaboration with strategic partners, design and production of creative promotional materials, and management of the culturela.org website.

May 31, 2009

teaching the arts

* Associate Professor/Professor in Art (Visual or Performing) and Head of School
University of Tasmania (Australia)
(date posted: 5/25/2009)
http://chronicle.com/jobs/id.php?id=0000600365-01&pg=e

* Assistant Professor
University of California at Los Angeles (California)
(date posted: 5/28/2009)
http://chronicle.com/jobs/id.php?id=0000601007-01&pg=e

* Technical Director
Ursinus College (Pennsylvania)
(date posted: 5/25/2009)
http://chronicle.com/jobs/id.php?id=0000600103-01&pg=e

March 13, 2009

SWAN day

110 Events and Counting!
There's Still Time to Join Us!

As of today, there are 110 events on the SWAN Day 2009 Map. There are events all over the U.S. as well as in Kenya, Quebec, Berlin, Argentina, Jamaica, and Shanghai. If you want to join the fun, there's still time!

Post Your Event - Just go to the SWAN Day Map at http://events.womenarts.org, click on the link that says Host an Event and fill in your information. Your event can be a party or any arts activity that celebrates women artists. Your event can be public or private invitation-only.

Tell Others to Post - If you know of other events featuring women artists during March, tell the organizers that they can get free additional publicity by posting their events on the SWAN Day Map.

Find An Event to Join - Don't have time to organize your own event? Many groups are still looking for collaborators. If you do a search on the SWAN Day Map by your zip code, it will show you any SWAN Day events within a 50 mile radius. The ones that are looking for collaborators are marked with a statement in red. If you open the event listing, you will be able to click on a link to contact the host.

January 11, 2009

Rockefeller Foundation Accepting Applications for Bellagio Center Creative Arts Residencies

Deadline: February 11, 2009

The Rockefeller Foundation ( http://www.rockfound.org/) Bellagio Center creative arts residencies are designed to give composers, novelists, playwrights, poets, video/filmmakers, and visual artists time for disciplined work, individual reflection, and collegial engagement free of the usual interruptions of their professional and personal life.

Located on a peninsula adjacent to Lake Como, two hours north of Milan, Italy, the Bellagio Center typically offers one-month stays for no more than three to five creative artists at a time.
The foundation seeks applicants from any country in the world who are able to demonstrate a history of significant achievement in their respective artistic disciplines. Individuals from developing countries and young artists with significant accomplishments -- exhibitions, publications, performances -- are particularly encouraged to apply. Decisions are based on the quality of the proposed project, the ability of the applicant to articulate the project's purpose and goals, the professional qualifications and achievements of the applicant, and the suitability and value of the center for the proposed activity. Spouses/life partners may accompany the resident, or may apply for a concurrent residency. The center also offers collaborative residencies for two to four persons working on the same project.

Residencies are typically four weeks long; however, shorter periods may be available. Room and board are provided without charge to all residents and their spouses/partners. Residents and
spouses/partners must pay for their own airfare and local transportation to/from Bellagio. Assistance with round-trip economy airfare between the home country and Milan is available on a financial needs basis to qualifying residents and their spouses/partners from developing countries.

The February 11, 2009, deadline is for a possible residency occurring between mid-August through November 26, 2009.

For detailed program information, visit the Rockefeller Foundation Web site.

RFP Link:
http://fconline.foundationcenter.org/pnd/15016374/rockfound

For additional RFPs in Arts and Culture, visit:
http://foundationcenter.org/pnd/rfp/cat_arts.jhtml

January 07, 2009

theater festival in slovenia

Announcement for performers, performing arts teachers, playwrights, stage designers, journalists and arts managers.

Theatre Methods 09
Between Tradition and Contemporaneity
July 6-12, 2009 Bovec, Slovenia

"Theatre Methods" is the annual professional festival-fair dedicated to the Bridge between Tradition and Contemporaneity in performing arts. This is the opportunity to demonstrate your performance, workshop or work-in-progress and to attend numerous events of the programme!

You are welcome to take part in the festival as a Presenter or a Participant.
More details...

How to submit your presentation?
Submission Guidelines:
http://www.iugte.com/projects/fest.reg.php

Bovec, Slovenia:
http://www.iugte.com/projects/slovenia.php

Photo Gallery of the previous festivals:
http://picasaweb.google.ru/globtheatre

January 05, 2009

teaching the arts

* Multiple International Faculty Positions
Sungkyunkwan University (Korea)
(date posted: 12/31/2008)
http://chronicle.com/jobs/id.php?id=0000588295-01&pg=e

* Assistant Professor of Drama
City University of New York College of Staten Island (New York)
(date posted: 12/30/2008)
http://chronicle.com/jobs/id.php?id=0000588265-01&pg=e

December 30, 2008

Call for Proposals:

International Conference
"Performing Arts Training Today"

April 21-24, 2009
Bovec, Slovenia

The conference is open to professional performers, performing arts educators and teachers from all over the world interested in the research of topical questions and processes in contemporary performing arts education and training.

At the moment the Conference is accepting presentation proposals.

PRESENTATION FORMATS:
• workshop/master class
• work in progress
• performance fragment (not requiring special technical conditions)
• reading/lecture
• any other way of demonstration to the presenter's discretion

ACCOMODATION & VENUE (Bovec mountain resort):
Nearest airports: Ljubljana (Slovenia), Trieste (Italy) or Klagenfurt (Austria).
http://www.iugte.com/projects/Bovec.venue.php

SUBMISSION GUIDELINES & REGISTRATION:
http://www.iugte.com/projects/conf.reg.php

CONFERENCE INFO: http://www.iugte.com/projects/PerformingArts.php

You are also welcome to take part in the Conference as a Participant.

December 06, 2008

theatre lab

International Physical Theatre Laboratory
with Sergei Ostrenko (Russia)
July 1 - 12, 2009
Bovec, Slovenia

The Lab is open to professional performers from different creative genres and techniques inspired by Physical Theatre as a bold, vibrant and multidimensional approach to contemporary theater performance. The process includes intensive practical training and discussions.

The Lab will take place in the heart of the Alps at the mountain resort Bovec.
Hotel accommodation (11 nights) and meals (buffet breakfasts and lunches) are provided for participants.

If you would like to know more... http://www.iugte.com/projects/performers.physicality.php

December 01, 2008

teaching the arts

* Lecturer of Dance
Troy University (Alabama)
(date posted: 11/25/2008)
http://chronicle.com/jobs/id.php?id=0000585093-01&pg=e

* Theatre Arts Instructor
Lake Tahoe Community College (California)
(date posted: 11/26/2008)
http://chronicle.com/jobs/id.php?id=0000585280-01&pg=e

* Lecturer or Assistant Professor of Acting/Voice
Thorneloe University (Canada)
(date posted: 12/1/2008)
http://chronicle.com/jobs/id.php?id=0000584573-01&pg=e

* Art; Business (2); Chemistry; English (3); Reading (2); Theatre
North Hennepin Community College (Minnesota)
(date posted: 12/1/2008)
http://chronicle.com/jobs/id.php?id=0000584623-01&pg=e

* Theatre
New York University (United Arab Emirates)
(date posted: 12/1/2008)
http://chronicle.com/jobs/id.php?id=0000584930-01&pg=e

November 12, 2008

Call for Proposals: THEATRE METHODS 09. Between Tradition and Contemporaneity

International Festival-Fair

THEATRE METHODS 09
Between Tradition and Contemporaneity
July 6-12, 2009 Bovec, Slovenia

"Theatre Methods" is the annual professional festival-fair dedicated to the Bridge between Tradition and Contemporaneity in performing arts. The festival is an opportunity to demonstrate methods of training in traditional theatre and to present contemporary works created as the result of traditional theatre training techniques.

At the moment THEATRE METHODS 09 has been accepting presentation proposals.

Presentation format:

• performance (not requiring special technical conditions)
• workshop/master class
• work in progress
• reading/lecture
• any other way of demonstration to the presenter's discretion.

The festival is aimed at new international contacts, creative exchange and communication. "TM" does not imply opportunity of a one-day tour. Important condition of "TM" is that performers and theatres presenting works at the festival participate in the whole programme from the first to the last day - attending other festival events, workshops, performances, etc.

If you wish to present your work at TM09, please become familiar with Submission Guidelines before submitting your proposal:

http://www.iugte.com/projects/fest.reg.php
http://www.iugte.com/projects/TM09.php

The festival committee is considering proposals in appropriate standard only.
Links to web sites are not considered as the application.

September 24, 2008

catching up with spearhead

Big shout out of Love to Franti and the Spearhead boys as they head off into the world to spread the message. We loved having you here in LA!!!! And congrats on breaking into the Top 40!!!!

Raleigh Ral - so proud of you!!!

April 05, 2008

international fesival of making theater

The 4th International Festival of Making Theater, will be held in Athens, Greece, July 6th - 13th 2008.

During a whole week of creative interaction, Theater Makers from different parts of the world will have the opportunity to share and get acquainted with new working methods and ideas, regarding the following three sectors: Acting, Movement and Voice. Especially for this year Theater of Changes will host the following workshops:

"Paths of Voice", Sophie Hutin ( France )
"Inside Out - From realism and beyond", Sašo and Mojtina Jurcer ( Slovenia)
"Connected Motion", David Barker (U.S.A. Arizona)
"Freeing the natural voice" Francoise Walot (Belgium)
"Writing with the Body - Suzuki Method and Physical Composition", Maria Porter (U.S.A. New York)
"Dramatic Corporeal Mime - Acting through movement", Ivana Peranic (Croatia)
"Voice through the Lens of Archetype", Leigh Wilson Smiley (Maryland U.S.A.)
"Preparation", Giles Foreman (United Kingdom)
"The journey to the heart of the actor-joy , absurd, nonsense, and folly. ", Moshe Malka (Israel)
"Actor and the voice of his character", Marina Markovic (Serbia)
"Giving body to a thought", Janaina Tupan - Sebastien Loesener ( Brazil - France)
"The Physical Ensemble", Phillip Mackenzie (Australia)
"Improvisation as a tool for acting and directing", Evdokimos Tsolakidis (Greece)
"Problem, Process, Product, Performance - The 4 Ps of the Human Instrument", Lon Gordon (Illinois U.S.A.)
"Dancing Qi Gong", Martina Morasso (Italy)

For more information visit www.toc.gr

The festival's programme is the following:

Sunday July 6th Arrival day
Monday July 7th - Friday July 11th Workshops, Performances, Discussion.
Saturday July 12th Excursion to Epidaurus This year we will attend National Theatre's production of Aristophanes' "The Frogs"
Sunday July 13th Departure day

English will be the official language of the festival.

INVITATION for PARTICIPANTS

The Theater of Changes invites, actors, directors, drama school students, dancers, choreographers, singers, acting, voice and movement teachers and finally all those with a vivid interest in performing arts to attend the workshops of the 4th International Festival of Making Theater (In.F.o.Ma.T.), which will be held July 6th-13th, 2008, at the Theater of Changes, 19a 3is Septemvriou str, 104 32, Athens, Greece. The selected participants will be divided into three groups.

All participants should send their Application Form until June 30th 2008 (once the Application Form is filled just press the "submit button").

Having sent the Application Form the selected participants will receive by email the pre-approval (including details concerning the payment procedure) of their participation to the Festival. Final approvals will be made once fee payment is settled. Since the number of the participants is limited, priority will be given to those applications received the earliest possible.

March 23, 2008

theatre conferece in slovenia

International Conference "PERFORMING ARTS TRAINING TODAY"
April 14-17, 2008
Bovec, Slovenia

Dear Colleagues, International University "Global Theatre Experience" is inviting colleagues to take part in the international performing arts conference in Slovenia. A small number of places for FREE participation in all events of the conference program are available on a competitive basis. Accommodation and meals expenses: 150 EUR.

We shall provide you with accommodation in a hotel in twin room (three nights), two meals per day (breakfast and lunch), tea/coffee breaks. The conference will take place in Bovec, the mountain resort and the ancient alpine town located in north-western Slovenia in the Trenta valley of the Julian Alps.

PROGRAMME: workshops, performances, works in progress, readings and lectures by conference presenters from UK, Sweden, Russia and USA:

· "Psychophysical Training Through Movement Improvisation" - Workshop by John Britton - director, performer, writer and educator, Senior Lecturer in Performance at the University of Huddersfield (UK).

· "Performer's Physicality: Biomechanics (Meyerhold), Psychological gesture (M.Chekhov), Physical action (Stanislavsky)" - Workshop by Sergei Ostrenko - theatre director and teacher (Russia).

· "Reflections on the total regeneration of a post high school, professional dancers training program" - Presentation by Fay Nenander - choreographer, teacher, Senior Advisor at The Ballet Academy Stockholm (Sweden).

· "Carnival Arts and Its Impact on Arts Education" - Presentation by Shabaka Thompson - cultural activist, social engineer, Director of the Yaa Asantewaa Arts and Community Centre, CEO of Carnival Village based in Notting Hill (UK).

· "Arts Education and the Disaffected Student" - Presentation by Annie Cornbleet - teacher, education consultant, expert in Creativity and the use of Arts Education, co-founder of CETTIE - Cultural Exchange Through Theatre In Education (UK).

· "Splendid Mummer" by Lonne Elder. A monodrama on the life of the outstanding Black actor: Ira Aldridge" - Presentation by Shango Baku - actor, writer, director, journalist, Artistic Director of CETTIE - Cultural Exchange Through Theatre In Education (UK).

· "Approaches to Movement-Based Theater" - Performance and lecture-demonstration by Pal Bernstein - performer, instructor of physical theater, professor at Rutgers University (USA).

REGISTRATION:To apply, candidates should send a CV and a brief letter of motivation to conference@iugte.com stating the title, dates and location of the event.

PROGRAMME DETAILS: http://www.iugte.com/projects/theatre_conference.php ACCOMMODATION and VENUE: http://www.iugte.com/projects/Bovec.venue.php

Sincerely,

Michael Cooperman
Project Coordinator
International University
"Global Theatre Experience" (IUGTE)
"ArtUniverse"
www.iugte.com
info@iugte.com
T. +44 020 8133 2593
London, UK

January 06, 2008

cultural exchange grant for composers

French American Cultural Exchange Announces Deadline for Contemporary Music Fund
Deadline: March 1, 2008

Administered by the French American Cultural Exchange ( http://www.facecouncil.org/ ), the French American Fund for Contemporary Music supports contemporary music projects (commissions, residencies, performances, tours, and master classes) that foster cultural exchange between France and the United States.

The fund awards grants to nonprofit institutions celebrating the work of living composers in both countries. Collaborations com- bining new French and American works are especially encouraged. Only projects involving works by living composers or works composed during the last fifty years will be considered for funding.

The repertoire should fall within one of the following categories: contemporary music for classical instrumentation; computer-assist- ed composition and research with multimedia tools; and new forms of improvised and electronic music. Special consideration will be given to projects involving the commission of new works.

Only nonprofit institutions may submit applications. American institutions must provide proof of their 501(c)(3) status; French organizations must prove equivalent status for eligibility. Examples of eligible institutions include university-level music departments or conservatories; research studios; perform- ers, including orchestras, ensembles, soloists, and conductors; and artistic programmers, including festivals and concert halls or any organization favoring interdisciplinary collaborations with professionals in other fields, such as dance, theater, film, visual arts, or new media. The amount requested cannot exceed 50 percent of the project's total budget.

Visit the FACE Web site for complete program information. RFP Link: http://fconline.foundationcenter.org/pnd/10010525/facecouncil

For additional RFPs in Arts and Culture, visit: http://foundationcenter.org/pnd/rfp/cat_arts.jhtml